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The trouble with poetry is that it encourages the writing of more poetry.
Billy Collins
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Billy Collins
Age: 83
Born: 1941
Born: March 22
Poet
University Teacher
Writer
Manhattan borough
New York City
William James Collins
Encourages
Poetry
Trouble
Writing
More quotes by Billy Collins
Radio is such a perfect medium for the transmission of poetry, primarily because there just is the voice, there's no visual distraction.
Billy Collins
But my heart is always propped up in a field on its tripod, ready for the next arrow.
Billy Collins
Listeners are kind of ambushed... if a poem just happens to be said when they're listening to the radio. The listener doesn't have time to deploy what I call their 'poetry deflector shields' that were installed in high school - there's little time to resist the poem.
Billy Collins
I could look at you forever and never see the two of us together
Billy Collins
I felt at some point that I had nothing to lose, and [laughs] maybe I was wrong. I think, you know, there's always these little autobiographical secrets behind things. I think I was really attacking my earlier self, and this kind of pretentious figure.
Billy Collins
I think clarity is the real risk in poetry because you are exposed. You're out in the open field. You're actually saying things that are comprehensible, and it's easy to criticize something you can understand.
Billy Collins
I was an only child, a very late child, born to parents who were both 39 at the time, which was very late back then. That kind of confirmed my sense of being the center of the universe, which I guess every child feels - children and poets both tend to feel.
Billy Collins
Often people, when they're confronted with a poem, it's like someone who keep saying 'what is the meaning of this? What is the meaning of this?' And that dulls us to the other pleasures poetry offers.
Billy Collins
The pen is an instrument of discovery rather than just a recording implement. If you write a letter of resignation or something with an agenda, you're simply using a pen to record what you have thought out.
Billy Collins
There are just long gaps where I can't find a point of insertion, I can't find a good opening line, I can't find a mood that I want to write into. But once I do, once a line falls out of the air, or I get a little inkling of a subject and I recognize that, it's like the sense that a game has started.
Billy Collins
I see woefully obscure poetry as simply a kind of verbal rudeness.
Billy Collins
I think a good poem should have some inscrutable part. You can't quite explain it. The poem can only explain itself to a certain limit and at that point you enter into a little bit of mystery. That for me is the perfect poem: to begin in clarity and to end in mystery.
Billy Collins
I think my work has to do with a sense that we are attempting, all the time, to create a logical, rational path through the day. To the left and right there are an amazing set of distractions that we usually can't afford to follow. But the poet is willing to stop anywhere.
Billy Collins
The poem is not, as someone put it, deflective of entry. But the real question is, 'What happens to the reader once he or she gets inside the poem?' That's the real question for me, is getting the reader into the poem and then taking the reader somewhere, because I think of poetry as a kind of form of travel writing.
Billy Collins
I think more influential than Emily Dickinson or Coleridge or Wordsworth on my imagination were Warner Brothers, Merrie Melodies and Looney Tunes cartoons.
Billy Collins
All I wanted was to be a pea of being inside the green pod of time.
Billy Collins
I think the pleasure of form is that you have a companion with you besides all the poetry you have ever read.
Billy Collins
I love to move like a mouse inside this puzzle for the body, balancing the wish to be lost with the need to be found.
Billy Collins
There's this pet phrase about writing that is bandied around particularly in workshops about finding your own voice as a poet, which I suppose means that you come out from under the direct influence of other poets and have perhaps found a way to combine those influences so that it appears to be your own voice.
Billy Collins
This love for everyday things, part natural from the wide eye of Infancy, part a literary calculation
Billy Collins