Theater has always been most important to my psyche.

There's definitely a pattern of great British shows that get reinvented in America and do really well here, but I think 'Torchwood' is a bit different. It's more of a hybrid that doesn't exist as a reinvention.

Rural towns aren't always idyllic. It's easy to feel trapped and be aware of social hypocrisy.

There's a point you get to on the stage where you're not remembering lines but living them, and you reach this pure moment which, really, is more intense than what you can achieve in life.

I like those crisis moments - if you're on top of it and don't get pulled under by panic and fear, it's a very bonding thing.

With While You Were Sleeping, it was so much fun and such a Cinderella story, that I didn't want to do another romantic comedy. I wanted to do the opposite.

I was 21, and rehearsing a play, took a fall and was in a coma for a few days. And when I recovered, I'd lost my sense of smell completely.

Listen! We're not just doing this for the money! We're doing this for a S*** LOAD of money!

Truthfully, I almost avoided 'While You Were Sleeping,' because I find those romantic comedies kind of precious, and they're full of lines that leave you feeling a little bewildered when you say them.

Playing the president is interesting because, unlike a lot of different roles, people pay so close attention to who the president is, all of them, everybody's got an opinion about the president.

I do take lots of time off between projects, but when the right thing comes along, I don't like to turn it down, I've been doing this for a decade, and I remember what it was like when I started. You spend maybe five percent of your time actually doing it, and the rest of the time, you're trying to get that five percent.