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Sometimes I had to room with Tony Kaye and that was awful.

Bill Bruford

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Bill Bruford
Age: 75
Born: 1949
Born: May 17
Drummer
Jazz Musician
Sevenoaks
Kent
William Scott Bruford
William Bruford
Rooms
Fear
Sometimes
Kaye
Tony
Awful
Room

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At the end of the whole day of working with people you want some privacy.
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One of the great things about having good players in your band is that you just ask them questions. You can pick up some good information that way.
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People come with expectations and as a bandleader I constantly try to remind the audience to leave its expectations in the lobby.
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Holding on to some of your uniqueness is the trick instead of surrendering it at the Academy of Contemporary We're Gonna Make You a Star.
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So I have the classic amateur's technique I know some very tricky bits and I have large gaping holes.
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You learn so much about music from all the people you surround yourself with - good, bad and indifferent. It's extremely hard to be specific.
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The best practice you can get is on the bandstand, but in between gigs I feel I have to stay in shape.
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Entertainment is about telling everybody that everything is alright but music is on the side of the upsetters and that's where I'm at.
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We used to drink an awful lot of alcohol.
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And we'd drink huge amounts of scotch and coke, which is a ghastly sweet drink... And now people don't drink nearly as much, for good reason. We're all a little wiser.
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I warm naturally to the drummer whose ideas and approach are strong, even if he doesn't quite have the ability to carry them out.
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This amateurism however, can sometimes be helpful in forging a style you have to work around your weaknesses.
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Close to the Edge, Red, One of a kind, Discipline, Earthworks, The Sound of Surprise, all seem to me to be albums that captured the essence of the intention.
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Second edition of Earthworks I have the more traditional compositional approach, namely I write a piece from the piano.
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My harmony is passable but is usually made more eloquent at the hands of Steve Hamilton.
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