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Pornography is not in the hands of the child who discovers his sexuality by masturbating, but in the heart of the adult who slaps him.

Bernardo Bertolucci

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Bernardo Bertolucci
Age: 77 †
Born: 1941
Born: March 16
Died: 2018
Died: November 26
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Pornography
Adult
Sexuality
Adults
Child
Slaps
Hands
Masturbating
Children
Discovers
Heart
Slap

More quotes by Bernardo Bertolucci

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I was writing poems when I was young, you know, because my father was a poet, so it was absolutely normal to follow my father.
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As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
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I like to be in a huis clos, as the French say - in one place. It's something that in general can create a bit of claustrophobia. But for me, claustrophobia becomes almost immediately claustrophilia. I love it!
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I don't see my movies. I think it's healthier and safer to keep a bit of distance. I'm afraid to be disappointed.
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Having no children had been a kind of choice up to the moment when, from a choice, it became a sadness.
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I am in love with the idea of doing a movie in 3D. I think 3D would be great for the story I want to do, in a realistic, normal story, using 3D on the emotions in a kind of intimate story.
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I am still against any kind of censorship. It's a subject in my life that has been very important.
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I think that Hollywood should also be influenced by directors from Hong Kong. You see how Quentin Tarantino is really the example of how you can develop, and how you can go ahead if you accept the existence of different cinematic cultures. There you have Quentin playing with kung-fu. That's why the independents are the most interesting.
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I left the ending ambiguous, because that is the way life is.
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English dialogues are always just what you need and nothing more - like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution. I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. 'The Dreamers' was a total homage to cinema and that love for it.
Bernardo Bertolucci
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This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.
Bernardo Bertolucci
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I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.
Bernardo Bertolucci
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I don't film messages. I let the post office take care of those.
Bernardo Bertolucci
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Sometimes I think that I understand my movies after I make them. Really. I go very often off of instinct.
Bernardo Bertolucci
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If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
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After many, many years, I fell out of love with politics. It's not something I like but it's the truth.
Bernardo Bertolucci
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There's no more film now everything's digital. I welcome this. It's fantastic for me to have a new chance.
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I think that I used to love Hollywood movies. I remember great phases and moments. But, unfortunately, now is not the moment.
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You know, in ten years you're gonna be playing soccer with your tits, what do you think of that?
Bernardo Bertolucci