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I think that I used to love Hollywood movies. I remember great phases and moments. But, unfortunately, now is not the moment.

Bernardo Bertolucci

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Bernardo Bertolucci
Age: 77 †
Born: 1941
Born: March 16
Died: 2018
Died: November 26
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Remember
Used
Great
Phases
Love
Unfortunately
Think
Hollywood
Thinking
Movies
Moment
Moments

More quotes by Bernardo Bertolucci

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Pornography is not in the hands of the child who discovers his sexuality by masturbating, but in the heart of the adult who slaps him.
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After many, many years, I fell out of love with politics. It's not something I like but it's the truth.
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I am still against any kind of censorship. It's a subject in my life that has been very important.
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If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
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I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
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I don't film messages. I let the post office take care of those.
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New York has always embraced me.
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There's no more film now everything's digital. I welcome this. It's fantastic for me to have a new chance.
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I like to be in a huis clos, as the French say - in one place. It's something that in general can create a bit of claustrophobia. But for me, claustrophobia becomes almost immediately claustrophilia. I love it!
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As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
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You know, in ten years you're gonna be playing soccer with your tits, what do you think of that?
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I was writing poems when I was young, you know, because my father was a poet, so it was absolutely normal to follow my father.
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This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.
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Sometimes I think that I understand my movies after I make them. Really. I go very often off of instinct.
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I am in love with the idea of doing a movie in 3D. I think 3D would be great for the story I want to do, in a realistic, normal story, using 3D on the emotions in a kind of intimate story.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution. I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. 'The Dreamers' was a total homage to cinema and that love for it.
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English dialogues are always just what you need and nothing more - like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
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I left the ending ambiguous, because that is the way life is.
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I think that Hollywood should also be influenced by directors from Hong Kong. You see how Quentin Tarantino is really the example of how you can develop, and how you can go ahead if you accept the existence of different cinematic cultures. There you have Quentin playing with kung-fu. That's why the independents are the most interesting.
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Having no children had been a kind of choice up to the moment when, from a choice, it became a sadness.
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