Quote

As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.

Bernardo Bertolucci

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Bernardo Bertolucci
Age: 77 †
Born: 1941
Born: March 16
Died: 2018
Died: November 26
Film Actor
Film Director
Film Editor
Film Producer
Playwright
Poet
Screenwriter
Felt
Editing
Another
Loyal
Firsts
Logical
First
Believer
Writing
Consequence
Way
Theory
Auteur
Learned
Auteurs
Actually
Shoots

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Sometimes I think that I understand my movies after I make them. Really. I go very often off of instinct.
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You live day by day. You can't build your life.
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Every film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
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After many, many years, I fell out of love with politics. It's not something I like but it's the truth.
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New York has always embraced me.
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I left the ending ambiguous, because that is the way life is.
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There's no more film now everything's digital. I welcome this. It's fantastic for me to have a new chance.
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This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.
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A name? Oh, Jesus Christ. Ah, God, I've been called by a million names all my life. I don't want a name. I'm better off with a grunt or a groan for a name.
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If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
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You know, in ten years you're gonna be playing soccer with your tits, what do you think of that?
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution. I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. 'The Dreamers' was a total homage to cinema and that love for it.
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Film students should stay as far away from film schools and film teachers as possible. The only school for the cinema is the cinema.
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I don't see my movies. I think it's healthier and safer to keep a bit of distance. I'm afraid to be disappointed.
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I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
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Having no children had been a kind of choice up to the moment when, from a choice, it became a sadness.
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I think that Hollywood should also be influenced by directors from Hong Kong. You see how Quentin Tarantino is really the example of how you can develop, and how you can go ahead if you accept the existence of different cinematic cultures. There you have Quentin playing with kung-fu. That's why the independents are the most interesting.
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I was writing poems when I was young, you know, because my father was a poet, so it was absolutely normal to follow my father.
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I am in love with the idea of doing a movie in 3D. I think 3D would be great for the story I want to do, in a realistic, normal story, using 3D on the emotions in a kind of intimate story.
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English dialogues are always just what you need and nothing more - like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
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