My parents were not pushy or anything like that. I think my mom was still expecting me to be an astronaut, but now she is very happy that I'm not doing that.

I connected very much with all the work of Joan Crawford because she started as a flapper. She used to dance and sing and she was very cute. She had something that was so different from what she is at the end of her life and she started in the silent movies and then went into the talkies.

Even in the very beginning when she would bump into George Valentine and people would start taking pictures of her, she never thought I'm with George Valentine. I need to get a picture with him. She's like oh that's funny. Everyone's taking pictures!

I really enjoyed being Peppy Miller. She was an amazing character and her energy followed me everywhere. When I talk about her I want to be her again.

Here, you go to the supermarket and you have wipes to clean your hands before shopping. No, we don't have that in France, but we recycle.

Sometimes we had to improvise. I hate to improvise because I felt like I couldn't find words.

People recognize me, I have scripts, and auditions. And I meet great people.

In France, it's always about life, normal life. We always stick with these realistic things. So when French people are dreaming about American movies, they go and see the thrillers, and Westerns, and science fiction, huge entertaining movies.

I feel very honored and special really. You can't imagine, to arrive at the Oscars when you arrive so low, and you can't go further than the Oscars.

Ever since the movie premiered at Cannes, I've had a sudden surge of scripts and interest.

The difference between the extras here and in France is the French extras read books. Actually, they hide the book and pretend that they're acting. Here (in Hollywood), you can see everybody wants his break.

I tried to find a character and how I would be an American actress in the 30s. But if this was a talking movie [The Artist], I'm sure she would be exactly the same for me.