Quote

I've met quite a number of people in my career, but I do have an extraordinary memory. And even though they may drift into the periphery of my memory, I can bring them right back when I need them.

Ben Kingsley

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Ben Kingsley
Age: 80
Born: 1943
Born: December 31
Actor
Character Actor
Film Actor
Stage Actor
Television Actor
Snainton
North Yorkshire
Krishna Pandit Bhanji
May
Number
Back
Career
Need
Careers
Right
Memories
Periphery
Needs
Numbers
Drift
Even
Bring
Mets
People
Quite
Memory
Though
Extraordinary

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There is always something about the villains that I'm able to play, quote unquote, that isn't villainous.
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I think that you can fall into bad habits with comedy... It's a tightrope to stay true to the character, true to the irony, and allow the irony to happen.
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I'm convinced that had I not changed my name, I don't think I would have had quite the same career curve that I eventually had.
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Millions of children are disempowered and we need to empower them.
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Well, it's wonderful to be identified strongly with my work.
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Family is family over the internet, over Skype, over the telephone. Love is love. You don't have to actually go through some ritual to prove that you love somebody.
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One of the greatest things drama can do, at it's best, is to redefine the words we use every day such as love, home, family, loyalty and envy. Tragedy need not be a downer.
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What is chess, do you think? Those who play for fun or not at all dismiss it as a game. The ones who devote their lives to it for the most part insist that it's a science. It's neither. Bobby Fischer got underneath it like no one before and found at its center, art.
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The trick is to try and justify every word on the page and make sure my character is the man who would say that.
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Sometimes it's right to do the wrong things and right now is one of those times.
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I think the cinema you like has more to do with silence, and the theater you like has more to do with language.
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The biggest surprise in a man's life is old age.
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Working in film, if you work with great directors, you learn that after every take you must let go. Sitting with my wife at the Academy Awards, we both let the moment just go.
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I think if I were to go back on stage I might be in great danger of acting.
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When Attenborough asked me to do Gandhi it was almost like stepping off one boat and stepping on to another, even though both boats are going at 60 miles per hour.
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In cinema, the leading player is the director.
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I don't do anything that would ever come across as advice or suggestion, but it's just part of a debate. Like, I would like to try this, or Let me do another one with more stillness, let me emphasize that. Rather than I think you should emphasize this, I think - you know, I don't impose choices.
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I just loved playing a man who was unafraid of making an idiot of himself in the process of falling in love. I found that admirable.
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The number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.
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There's so much crap talked about acting.
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