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With narration, you have to be very accurate with your voice. It's a good exercise to do.

Ben Kingsley

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Ben Kingsley
Age: 80
Born: 1943
Born: December 31
Actor
Character Actor
Film Actor
Stage Actor
Television Actor
Snainton
North Yorkshire
Krishna Pandit Bhanji
Accurate
Exercise
Voice
Good
Narration

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But filming is good for you, because the crew isn't allowed to laugh. You can't get addicted to getting the laugh.
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What is chess, do you think? Those who play for fun or not at all dismiss it as a game. The ones who devote their lives to it for the most part insist that it's a science. It's neither. Bobby Fischer got underneath it like no one before and found at its center, art.
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When I choose a role it's either because I recognise the man, or that I'm very curious to know him. If I neither recognise nor know him, then it is better that I don't play him.
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The trick is to try and justify every word on the page and make sure my character is the man who would say that.
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I don't do anything that would ever come across as advice or suggestion, but it's just part of a debate. Like, I would like to try this, or Let me do another one with more stillness, let me emphasize that. Rather than I think you should emphasize this, I think - you know, I don't impose choices.
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Millions of children are disempowered and we need to empower them.
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I think if I were to go back on stage I might be in great danger of acting.
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I don't want to be like the actor who rehearses everything in the bathroom, then comes to the set and carries on completely uninterrupted while the other actors tiptoe away.
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I think Romeo and Juliet is uplifting. That's how much a son wishes to avenge his father. That is how much two young people can love each other.
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One of the greatest things drama can do, at it's best, is to redefine the words we use every day such as love, home, family, loyalty and envy. Tragedy need not be a downer.
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I think that various styles and methods and approaches are an invention of people who don't understand the process of acting and who try very hard to label things.
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There is always something about the villains that I'm able to play, quote unquote, that isn't villainous.
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That hunger of the flesh, that longing for ease, that terror of incarceration, that insistence on tribal honour being obeyed: all of that exists, and it exists everywhere.
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I'm convinced that had I not changed my name, I don't think I would have had quite the same career curve that I eventually had.
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Well, it's wonderful to be identified strongly with my work.
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If the director wishes to print it, then you have a series of choices, maybe millions of choices within that minute-and-a-half, or 80 seconds, or 2 minutes or however long or short the take is, you have all those choices committed to celluloid. I find that absolutely thrilling.
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In order to inhabit a villain, you mustn't care what the audience think of you. That's not why you are there. You mustn't care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.
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