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There is so much to do on a film set. It is an extraordinarily invigorating and wonderful place to be, when things are running well.

Ben Kingsley

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Ben Kingsley
Age: 80
Born: 1943
Born: December 31
Actor
Character Actor
Film Actor
Stage Actor
Television Actor
Snainton
North Yorkshire
Krishna Pandit Bhanji
Film
Wells
Well
Much
Invigorating
Things
Extraordinarily
Wonderful
Running
Place

More quotes by Ben Kingsley

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I don't want to be like the actor who rehearses everything in the bathroom, then comes to the set and carries on completely uninterrupted while the other actors tiptoe away.
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I think if I were to go back on stage I might be in great danger of acting.
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Millions of children are disempowered and we need to empower them.
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When Attenborough asked me to do Gandhi it was almost like stepping off one boat and stepping on to another, even though both boats are going at 60 miles per hour.
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They're a very strange lot actors, very strange people.
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Shock is shock. Your body goes into shock, regardless of it being real blood or fake blood. The mind sends powerful messages to all the various glands and secretions in the body. It's impossible trying to act it it just happens. It's a very important question: no acting.
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There was one titanic guiding light on the film set, and I was in the presence of a true Mahatma, in the deepest and most profound sense of the word.
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I think that you can fall into bad habits with comedy... It's a tightrope to stay true to the character, true to the irony, and allow the irony to happen.
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What is chess, do you think? Those who play for fun or not at all dismiss it as a game. The ones who devote their lives to it for the most part insist that it's a science. It's neither. Bobby Fischer got underneath it like no one before and found at its center, art.
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I don't do anything that would ever come across as advice or suggestion, but it's just part of a debate. Like, I would like to try this, or Let me do another one with more stillness, let me emphasize that. Rather than I think you should emphasize this, I think - you know, I don't impose choices.
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We are adjusters. We empathize, we change rhythm and above all we listen to our fellow actors-if they're good actors.
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When I choose a role it's either because I recognise the man, or that I'm very curious to know him. If I neither recognise nor know him, then it is better that I don't play him.
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I've met quite a number of people in my career, but I do have an extraordinary memory. And even though they may drift into the periphery of my memory, I can bring them right back when I need them.
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If I were to play somebody who ran a fish and chip shop, I would not work in a fish and chip shop for three months. Staring at chips is not going to help me in my performance.
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If your best friend has stolen your girlfriend, it does become life and death.
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In cinema, the leading player is the director.
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I'm so dependent on reacting to the other actors on the set, and to the director. I'm very responsive. I react. And I treasure the energy that reaction gives.
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I think that various styles and methods and approaches are an invention of people who don't understand the process of acting and who try very hard to label things.
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Hamlet is an astonishing intelligence.
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I was fortunate as a young actor, to go straight to the RSC, where I learned that being an actor can bring with it wonderful responsibilities.
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