Quote

If I were to play somebody who ran a fish and chip shop, I would not work in a fish and chip shop for three months. Staring at chips is not going to help me in my performance.

Ben Kingsley

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Ben Kingsley
Age: 80
Born: 1943
Born: December 31
Actor
Character Actor
Film Actor
Stage Actor
Television Actor
Snainton
North Yorkshire
Krishna Pandit Bhanji
Helping
Staring
Three
Fish
Play
Fishes
Going
Performance
Chip
Work
Performances
Chips
Would
Months
Shop
Somebody
Ran
Help
Shops

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If your best friend has stolen your girlfriend, it does become life and death.
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Family is family over the internet, over Skype, over the telephone. Love is love. You don't have to actually go through some ritual to prove that you love somebody.
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I have a rather naive approach, I think, to my job.
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I hope I'm able to achieve more on camera through stillness, through focus, through being quite careful to do less on every take, rather than more. So I'm reducing, rather than adding. Which hopefully is a good exercise. That's what I'd like to do.
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There is always something about the villains that I'm able to play, quote unquote, that isn't villainous.
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We are adjusters. We empathize, we change rhythm and above all we listen to our fellow actors-if they're good actors.
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When I choose a role it's either because I recognise the man, or that I'm very curious to know him. If I neither recognise nor know him, then it is better that I don't play him.
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In order to inhabit a villain, you mustn't care what the audience think of you. That's not why you are there. You mustn't care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.
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There was one titanic guiding light on the film set, and I was in the presence of a true Mahatma, in the deepest and most profound sense of the word.
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There is so much to do on a film set. It is an extraordinarily invigorating and wonderful place to be, when things are running well.
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I think Romeo and Juliet is uplifting. That's how much a son wishes to avenge his father. That is how much two young people can love each other.
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I've met quite a number of people in my career, but I do have an extraordinary memory. And even though they may drift into the periphery of my memory, I can bring them right back when I need them.
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The biggest surprise in a man's life is old age.
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I think the cinema you like has more to do with silence, and the theater you like has more to do with language.
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I always try to find something I admire about every character I play.
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The number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.
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If the director wishes to print it, then you have a series of choices, maybe millions of choices within that minute-and-a-half, or 80 seconds, or 2 minutes or however long or short the take is, you have all those choices committed to celluloid. I find that absolutely thrilling.
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Well, it's wonderful to be identified strongly with my work.
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I think that all of us either lose touch with the child inside us or try and hold onto it because it so precious to us and it's such an extraordinary part of our lives.
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That hunger of the flesh, that longing for ease, that terror of incarceration, that insistence on tribal honour being obeyed: all of that exists, and it exists everywhere.
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