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I have a rather naive approach, I think, to my job.

Ben Kingsley

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Ben Kingsley
Age: 80
Born: 1943
Born: December 31
Actor
Character Actor
Film Actor
Stage Actor
Television Actor
Snainton
North Yorkshire
Krishna Pandit Bhanji
Thinking
Naive
Approach
Rather
Jobs
Think

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There was one titanic guiding light on the film set, and I was in the presence of a true Mahatma, in the deepest and most profound sense of the word.
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Sometimes it's right to do the wrong things and right now is one of those times.
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In cinema, the leading player is the director.
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I'm convinced that had I not changed my name, I don't think I would have had quite the same career curve that I eventually had.
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When I choose a role it's either because I recognise the man, or that I'm very curious to know him. If I neither recognise nor know him, then it is better that I don't play him.
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I think the cinema you like has more to do with silence, and the theater you like has more to do with language.
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There is so much to do on a film set. It is an extraordinarily invigorating and wonderful place to be, when things are running well.
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I'm so dependent on reacting to the other actors on the set, and to the director. I'm very responsive. I react. And I treasure the energy that reaction gives.
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We are adjusters. We empathize, we change rhythm and above all we listen to our fellow actors-if they're good actors.
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I was fortunate as a young actor, to go straight to the RSC, where I learned that being an actor can bring with it wonderful responsibilities.
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I love storytelling. If you strip all the bits away, what you'll find at the center is a storyteller. As I warm to my career and love it more, I have a sense that storytelling is healing, in many ways. You can reach an audience and heal, and by heal, I mean entertain and provoke. It's a wonderful life.
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I've met quite a number of people in my career, but I do have an extraordinary memory. And even though they may drift into the periphery of my memory, I can bring them right back when I need them.
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I think that various styles and methods and approaches are an invention of people who don't understand the process of acting and who try very hard to label things.
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The trick is to try and justify every word on the page and make sure my character is the man who would say that.
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I'm open to any project, but my joyful projects are those through which I can say something and through which I can speak to the an audience of people in the world, and I can be that vehicle through which something can be said, I find that entirely thrilling and joyful.
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One of the greatest things drama can do, at it's best, is to redefine the words we use every day such as love, home, family, loyalty and envy. Tragedy need not be a downer.
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