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As an actor there's no autonomy, unless you're prepared to risk the possibility of starving.
Ben Kingsley
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Ben Kingsley
Age: 80
Born: 1943
Born: December 31
Actor
Character Actor
Film Actor
Stage Actor
Television Actor
Snainton
North Yorkshire
Krishna Pandit Bhanji
Actors
Autonomy
Starving
Prepared
Possibility
Actor
Unless
Risk
More quotes by Ben Kingsley
Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It's harder.
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The trick is to try and justify every word on the page and make sure my character is the man who would say that.
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I think if I were to go back on stage I might be in great danger of acting.
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They're a very strange lot actors, very strange people.
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I just loved playing a man who was unafraid of making an idiot of himself in the process of falling in love. I found that admirable.
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I don't do anything that would ever come across as advice or suggestion, but it's just part of a debate. Like, I would like to try this, or Let me do another one with more stillness, let me emphasize that. Rather than I think you should emphasize this, I think - you know, I don't impose choices.
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Working in film, if you work with great directors, you learn that after every take you must let go. Sitting with my wife at the Academy Awards, we both let the moment just go.
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With narration, you have to be very accurate with your voice. It's a good exercise to do.
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The many many imponderables come together when a film opens and for all sorts of reasons it may or may not succeed.
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In cinema, the leading player is the director.
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I think Romeo and Juliet is uplifting. That's how much a son wishes to avenge his father. That is how much two young people can love each other.
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I didn't go to drama school because, from the first refusal I then, as I said, a couple of weeks later, was offered a professional job, where I am immensely grateful to the journey.
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I'm convinced that had I not changed my name, I don't think I would have had quite the same career curve that I eventually had.
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I love storytelling. If you strip all the bits away, what you'll find at the center is a storyteller. As I warm to my career and love it more, I have a sense that storytelling is healing, in many ways. You can reach an audience and heal, and by heal, I mean entertain and provoke. It's a wonderful life.
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There is always something about the villains that I'm able to play, quote unquote, that isn't villainous.
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When I choose a role it's either because I recognise the man, or that I'm very curious to know him. If I neither recognise nor know him, then it is better that I don't play him.
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I have a rather naive approach, I think, to my job.
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We are adjusters. We empathize, we change rhythm and above all we listen to our fellow actors-if they're good actors.
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I think that you can fall into bad habits with comedy... It's a tightrope to stay true to the character, true to the irony, and allow the irony to happen.
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I hope I'm able to achieve more on camera through stillness, through focus, through being quite careful to do less on every take, rather than more. So I'm reducing, rather than adding. Which hopefully is a good exercise. That's what I'd like to do.
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