Because as any writer will tell you, an IDEA for a book is like falling in love, it's all wild emotion and headlong rush, but the ACTUAL ACT of writing a book is like building a relationship: it is joyous, slow, fragile, frustrating, exhilarating, painstaking, exhausting, worth it.

History is not the linear sort of movement toward better and better things.

It is really something, the extent to which we allow ourselves to live without thinking of things that we know, in the abstract, are bad, and are going on right now, somewhere far away. We think, Well, what are you gonna do? In a way, that little instinct, that What are you gonna do? is the most dangerous thing in the world.

In terms of optimism, I am optimistic. I do think that, in the long term, that America will right itself. I have to think so.

A book is not a tweet. A book is not a half-hour television show. A book requires for both reader and writer sustained discipline attention. It asks you to immerse yourself in something and really deeply feel it.

It is part of what makes America great. That tradition of the free press, and also the tradition of this highly competitive market for investigative journalism. We're seeing, there's no question, that we're seeing a renaissance of that.

Fiction has this special power. It has a power to clarify, to galvanize, to prophesy, and warn.

I think that one thing fiction can offer, and must offer, is a place where someone's mind and their imagination can come to rest for a little while.

We spend so much time, these days, on forms of literature that don't rise to be literature, and I'm speaking about Twitter posts and quick and hot takes on different websites. We sort of zoom from thing to thing like a hummingbird.

One thing that fiction does is it allows us to take big picture questions, big issues, big moral and socio-political changes and see how they play out on real people's lives, with real individuals.