Quote

I have manic energy. What can be done about it? I don't know what to say sometimes. I'm professional in public, but I like to stay inside and be a hermit.

Ben Folds

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Ben Folds
Age: 58
Born: 1966
Born: September 12
Composer
Lyricist
Musician
Pianist
Singer
Singer-Songwriter
Winston-Salem
North Carolina
Benjamin Scott Folds
Sometimes
Hermits
Like
Manic
Professional
Stay
Inside
Public
Energy
Done
Hermit

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Being capable of anything is a bullshit concept, unless it means you also admit that you're capable of cheating, lying and killing.
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I've gotten to the point where I realize that I need to tell my truth in music and not walk around blabbing my mind.
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The way I see it, there's only one melody for any song.
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My job is to be some sort of music/lyric psychic, to figure out that that's the right song to not fight the lyric.
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If the melody is telling me this is what the song is about, then I'm sort of forced into confession, autobiography or fantasy. If I don't do that, I've hamstrung the melody.
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I start songs all the time. If I weren't so lazy, I would finish them. It's like when I have a deadline I have to. I always feel very lucky that I am forced to make records at certain times. If I was forced to make 2 records a year, I would write twice as many songs. I can't make myself finish something unless I am forced
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The nice thing about age is worrying less and less about what people think.
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The press is like any business. Its a group of really intelligent individuals that ends up being one slathering, one-eyed, drooling monster.
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I divorce myself from listeners who aren't tolerant of humor. I did notice universally that, especially when it comes to weight, people look in the mirror and get the angle just right, tell themselves it's all right, and then they go out.
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Next door, there's an old man who lived to his nineties and one day passed away in his sleep. And his wife, she stayed for a couple of days and passed away. I'm sorry, I know that's a strange way to tell you that I know we belong.
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The reason I stop playing songs is usually because I get sick of them, and then they find themselves back into the set list at some point.
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And all I really want to say is you're the reason I want to stay.
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I do think that when you make repeated mistakes, it's usually because you're just not coming to grips with something.
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I'm not really a strange person or anything, so if there's music I like, usually there's other people who like it too.
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The less I talk in bars, write emails, express myself in an emotionally lewd way outside of my songwriting, the more I have to do it through my music.
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When someone really goes to tell you something about what they're thinking, they're going to wear that experience with them. That's what you have to share.
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With a song, it only takes a couple of minutes to go back to the beginning and try it again to see if it works. The novel freaks me out because, what if you get into the eighth chapter and think, 'Let's go to the top and see if this works again? It's going to take me three weeks.' I'm in awe of that.
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I used to do this big rant at the end of some gigs with Ben Folds Five. The band broke into this big heavy metal thing and I started as a joke to scream in a heavy metal falsetto. I found myself saying things like: Feel my pain, I am white, feel my pain.
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Rock and roll is - and should be - a kid's place.
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I don't leave my neighborhood. I don't go anywhere. There are four blocks I live in and there are two coffee shops, one at each end of the block... so I don't do much driving... Some people would say they never see me because I don't go anywhere. I stay in the blue state of Nashville, in my bubble.
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