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The press is like any business. Its a group of really intelligent individuals that ends up being one slathering, one-eyed, drooling monster.

Ben Folds

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Ben Folds
Age: 58
Born: 1966
Born: September 12
Composer
Lyricist
Musician
Pianist
Singer
Singer-Songwriter
Winston-Salem
North Carolina
Benjamin Scott Folds
Group
Drooling
Intelligent
Eyed
Groups
Folds
Individual
Monster
Business
Monsters
Ends
Presses
Really
Press
Like
Individuals

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My parents told me I must get married. I was seen as a failure if I didn't do it.
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Notes don't make music until you learn to insert silence between them.
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The reason I stop playing songs is usually because I get sick of them, and then they find themselves back into the set list at some point.
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Even though I live in America more, I feel like when I go to Adelaide, that's when I get to go home.
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The less I talk in bars, write emails, express myself in an emotionally lewd way outside of my songwriting, the more I have to do it through my music.
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But I really do have a soft spot for the solo shows. Any musician who writes and sings will tell you that's the center of it, that is it. It's almost like there's something church-like about it and you gotta go back there, if you're a songwriter that sings your material.
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If you're afraid they might discover your redneck past, there are a hundred ways to cover your redneck past.
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There is still some art in pop music. But it can't happen if you're not inspired.
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Being capable of anything is a bullshit concept, unless it means you also admit that you're capable of cheating, lying and killing.
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What stupid f - king idiot gets married a second time if the first time didn't work out?
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I look to an out gay man or woman as pretty much what I would aspire to. The strength that it takes to do that and the floodgates that open and what they pay for it.
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I divorce myself from listeners who aren't tolerant of humor. I did notice universally that, especially when it comes to weight, people look in the mirror and get the angle just right, tell themselves it's all right, and then they go out.
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I've gotten to the point where I realize that I need to tell my truth in music and not walk around blabbing my mind.
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Im really good at writing almost hits.
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With a song, it only takes a couple of minutes to go back to the beginning and try it again to see if it works. The novel freaks me out because, what if you get into the eighth chapter and think, 'Let's go to the top and see if this works again? It's going to take me three weeks.' I'm in awe of that.
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The piano is just a different animal. It's expensive, it's big, it's heavy, and it doesn't fit in the mix easily. Everyone grew up with a piano in their living room, so rocking out on the piano was accessible - it wasn't an upper-class thing. Now pianos have become very much a piece of furniture.
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My job is to be some sort of music/lyric psychic, to figure out that that's the right song to not fight the lyric.
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The clock never stops, never stops, never waits. We're growing old. It's getting late.
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If the melody is telling me this is what the song is about, then I'm sort of forced into confession, autobiography or fantasy. If I don't do that, I've hamstrung the melody.
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I start songs all the time. If I weren't so lazy, I would finish them. It's like when I have a deadline I have to. I always feel very lucky that I am forced to make records at certain times. If I was forced to make 2 records a year, I would write twice as many songs. I can't make myself finish something unless I am forced
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