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If you're afraid they might discover your redneck past, there are a hundred ways to cover your redneck past.

Ben Folds

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Ben Folds
Age: 58
Born: 1966
Born: September 12
Composer
Lyricist
Musician
Pianist
Singer
Singer-Songwriter
Winston-Salem
North Carolina
Benjamin Scott Folds
Cover
Discover
Hundred
Afraid
Ways
Past
Might
Way
Redneck

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I'm not really a strange person or anything, so if there's music I like, usually there's other people who like it too.
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If I'm in a relationship and my girlfriend is sleeping with other people, I don't need to know who it is I just want to know how she feels about it.
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I do think that when you make repeated mistakes, it's usually because you're just not coming to grips with something.
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Next door, there's an old man who lived to his nineties and one day passed away in his sleep. And his wife, she stayed for a couple of days and passed away. I'm sorry, I know that's a strange way to tell you that I know we belong.
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Even though I live in America more, I feel like when I go to Adelaide, that's when I get to go home.
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What stupid f - king idiot gets married a second time if the first time didn't work out?
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There is still some art in pop music. But it can't happen if you're not inspired.
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I divorce myself from listeners who aren't tolerant of humor. I did notice universally that, especially when it comes to weight, people look in the mirror and get the angle just right, tell themselves it's all right, and then they go out.
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I used to do this big rant at the end of some gigs with Ben Folds Five. The band broke into this big heavy metal thing and I started as a joke to scream in a heavy metal falsetto. I found myself saying things like: Feel my pain, I am white, feel my pain.
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Being capable of anything is a bullshit concept, unless it means you also admit that you're capable of cheating, lying and killing.
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The way I see it, there's only one melody for any song.
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The clock never stops, never stops, never waits. We're growing old. It's getting late.
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Notes don't make music until you learn to insert silence between them.
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You never know when you put out an album that's unique whether it'll get beat up for it or not.
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My job is to be some sort of music/lyric psychic, to figure out that that's the right song to not fight the lyric.
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And all I really want to say is you're the reason I want to stay.
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With a song, it only takes a couple of minutes to go back to the beginning and try it again to see if it works. The novel freaks me out because, what if you get into the eighth chapter and think, 'Let's go to the top and see if this works again? It's going to take me three weeks.' I'm in awe of that.
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I think a lot of good directors listen to music while they're working. The songs just don't become a part of the film. They're replaced.
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The reason I stop playing songs is usually because I get sick of them, and then they find themselves back into the set list at some point.
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If the melody is telling me this is what the song is about, then I'm sort of forced into confession, autobiography or fantasy. If I don't do that, I've hamstrung the melody.
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