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Sometimes I get insecure about being a real director because I look at the great directors, and they have such command. But maybe that keeps me critical of myself. Maybe it keeps me moving forward.
Ben Affleck
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Ben Affleck
Age: 52
Born: 1972
Born: August 15
Actor
Executive Producer
Film Actor
Film Director
Film Producer
Manufacturer
Poker Player
Screenwriter
Television Actor
Television Producer
Berkeley
California
Benjami Géza Affleck
Benjamin Géza Affleck-Boldt
Benjami Geza Affleck
Benjamin Geza Affleck-Boldt
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Director
Sometimes
Keeps
Real
Critical
Great
Directors
Forward
Maybe
Moving
Insecure
Look
Command
More quotes by Ben Affleck
I knew I had to get out of Boston and stop making movies there, at least for one movie, otherwise no one would ever consider me for a movie that took place south of Providence.
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I've got to work really hard and I know exactly what I've achieved because I know how hard I've worked, and I make sure to work as hard as I absolutely possibly can, because I know that's the only shot I have at being successful.
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The first Star Wars movie had come out in 1977 and had become this huge phenomenon with all the toys and everything - it just kind of swept America.
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Persia is very different from the Arab Middle East in terms of architecture and language. Even though we think of them as one big Middle Eastern area, in truth, Persia's quite distinct.
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You wasted $150,000 on an education you could have got for a buck fifty in late charges at the public library.
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Anybody tells you that money is the root of all evil doesn't have any.
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No matter what you're doing, if you're trying to make a movie, you need to be working with people that are really good and who make you better.
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But on balance, a performer wants to feel that there's something there which stands out because you put a lot of effort into it, a lot of energy and a lot of yourself into something. I feel pretty successful about some movies I've been in that have not been greeted with a lot of enthusiasm and I do trust my own criteria.
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The value of work, and of always learning something new, and what it takes to achieve excellence. I really believe in those things that you have to dedicate yourself and spend time, that excellence is elusive. It's a little maddening, to try to have that level of discipline in your life, and I don't succeed all the time. But I do try.
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I simply asked if I could have a go at adapting a screenplay. But I did not want any money, in case I failed because I did not want a script out there with my name on it that might be completely dysfunctional.
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You have to look also to the media, where you have a vast majority of the loudest and most influential political voices in America media from people who came from the entertainment world.
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I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.
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It's important for me to try my hand at philanthropy because I want to leave behind a record of someone who did more than just gobble up stuff for themselves. I realized that a life lived for yourself is not much of a life.
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I try to cast really good actors and give them a chance to do their very best work, give them as much time and space as they need.
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My father has positional vertigo, and if he flies he gets really dizzy, so he has to drive out to California, which he does a couple times a year. We talk, but we e-mail mostly.
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I'm always described as 'cocksure' or 'with a swagger,' and that bears no resemblance to who I feel like inside. I feel plagued by insecurity.
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On the day he had colonic irrigation: 'I feel I lost my virginity that day in so many ways.'
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The one benefit of having done all kinds of movies as an actor is, you learn the pros and cons of being tempted to do a really big movie because it costs a lot of money.
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(As) a director who is a writer, I have respect for writers, so I'm less likely to step on an idea or a line.
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A friend of my mom's was a casting director so, really as kind of a lark, I had a couple of acting jobs that had just enough exposure to give me the option to continue if I wanted to. I followed through with it.
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