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Sometimes I get insecure about being a real director because I look at the great directors, and they have such command. But maybe that keeps me critical of myself. Maybe it keeps me moving forward.
Ben Affleck
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Ben Affleck
Age: 52
Born: 1972
Born: August 15
Actor
Executive Producer
Film Actor
Film Director
Film Producer
Manufacturer
Poker Player
Screenwriter
Television Actor
Television Producer
Berkeley
California
Benjami Géza Affleck
Benjamin Géza Affleck-Boldt
Benjami Geza Affleck
Benjamin Geza Affleck-Boldt
Great
Directors
Forward
Maybe
Moving
Insecure
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Command
Looks
Director
Sometimes
Keeps
Real
Critical
More quotes by Ben Affleck
I've never held myself up particularly high when I had movies that worked, and I never held myself all that low when I had failures.
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No matter what you're doing, if you're trying to make a movie, you need to be working with people that are really good and who make you better.
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I knew I had to get out of Boston and stop making movies there, at least for one movie, otherwise no one would ever consider me for a movie that took place south of Providence.
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There is currency to celebrity, or celebrity is a currency... You can spend it in a lot of ways, or you can squander it. You can be taxed, as well. I really started thinking long and hard about how to use that currency as long as I had it.
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No actor forgets the times he couldn't get a job. I think everyone doing this operates from that fear. You don't want that momentum to stop when you get it
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I like that best as I am so hairy.
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A sale is made on every call you make. Either you sell the client some stock or he sells you a reason he can't. Either way a sale is made, the only question is: Who is gonna close?
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If I ever woke up with a dead hooker in my hotel room, Matt would be the first person I'd call.
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The first Star Wars movie had come out in 1977 and had become this huge phenomenon with all the toys and everything - it just kind of swept America.
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I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.
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People decided that I was the frat guy, even though I've never been inside a fraternity, or the guy who beat them up at school, even though that wasn't me at all.
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People ascribe a certain kind of silliness to the movie business. Everybody feels like, In the movies, they do crazy stuff.
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Matt and I have set a date. Matt and I will tie the knot New Years Day in the town of Swampscott, Massachusetts. Reserve your hotel rooms now. I will be having a gay marriage.
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Just because a lot of people know something nominal doesn't make it important. A lot of people know what a pencil sharpener is, but that doesn't make it the most important invention of the 20th century.
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(As) a director who is a writer, I have respect for writers, so I'm less likely to step on an idea or a line.
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I'm a writer. An amateur photographer. An actor.
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Studios are used to have an investment in you, an actual, literal investment in an actor. You paid them some money, you had a contract with them and you were almost like a commodity.
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The value of work, and of always learning something new, and what it takes to achieve excellence. I really believe in those things that you have to dedicate yourself and spend time, that excellence is elusive. It's a little maddening, to try to have that level of discipline in your life, and I don't succeed all the time. But I do try.
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I love being a father, it's wonderful. It's changed my life. All the clichés are true.
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I get to the point where I feel relaxed, and then I just shoot a ton of material and make a lot of different choices.
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