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It's important for me to try my hand at philanthropy because I want to leave behind a record of someone who did more than just gobble up stuff for themselves. I realized that a life lived for yourself is not much of a life.
Ben Affleck
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Ben Affleck
Age: 52
Born: 1972
Born: August 15
Actor
Executive Producer
Film Actor
Film Director
Film Producer
Manufacturer
Poker Player
Screenwriter
Television Actor
Television Producer
Berkeley
California
Benjami Géza Affleck
Benjamin Géza Affleck-Boldt
Benjami Geza Affleck
Benjamin Geza Affleck-Boldt
Life
Leave
Gobble
Hand
Philanthropy
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Realized
Hands
Record
Someone
Lived
Important
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Trying
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You wasted $150,000 on an education you could have got for a buck fifty in late charges at the public library.
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(I) try new things and give myself permission to fail and experiment because only that way can you get really successful.
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No actor forgets the times he couldn't get a job. I think everyone doing this operates from that fear. You don't want that momentum to stop when you get it
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Persia is very different from the Arab Middle East in terms of architecture and language. Even though we think of them as one big Middle Eastern area, in truth, Persia's quite distinct.
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I'm sure I can make a movie that doesn't feel like a seventies movie! But the truth is, that's my favorite era in American filmmaking. To me, those were the great years.
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I'm much more interested in what an actor has to say about something substantial and important than who they're dating or what clothes they're wearing or some other asinine, insignificant aspect of their life.
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It takes time to develop a sense of humor, shared world views.
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Family is a wonderful thing, but it doesn't mean you can't do other stuff in your life. In fact, having a family makes whatever other thing you have that much richer. If it was just me, I'd be home alone and think, 'Well, something good happened at work,' but it's much nicer to share it with people you love.
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I have a promptness problem. I am a promptness-free zone.
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Anybody tells you that money is the root of all evil doesn't have any.
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My movies are unadorned, they're not particularly fancy, I think they're kind of workmanlike in some ways, focusing on the writing and the acting.
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The thing about online gambling is that it's never away, it's always accessible. And so, if you have an issue with gambling, it's designed to take advantage of that.
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Studios are used to have an investment in you, an actual, literal investment in an actor. You paid them some money, you had a contract with them and you were almost like a commodity.
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A friend of my mom's was a casting director so, really as kind of a lark, I had a couple of acting jobs that had just enough exposure to give me the option to continue if I wanted to. I followed through with it.
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My father has positional vertigo, and if he flies he gets really dizzy, so he has to drive out to California, which he does a couple times a year. We talk, but we e-mail mostly.
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I have a good instinct for what's real and what's not. I don't have to second-guess myself.
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I thought I could rely on the plot in the novel and fill in the colour between the lines, but I made a mistake with that assumption. It was really, really hard because you pull a few things apart and then you realise how everything relies on everything else and it can all fall apart.
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All I do, really, is go to work and try to be professional, be on time and be prepared.
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I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.
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