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Every single director-actor I talked to, from Warren Beatty to Clint Eastwood to George Clooney, said the biggest mistake they made is not shooting enough footage of themselves.
Ben Affleck
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Ben Affleck
Age: 52
Born: 1972
Born: August 15
Actor
Executive Producer
Film Actor
Film Director
Film Producer
Manufacturer
Poker Player
Screenwriter
Television Actor
Television Producer
Berkeley
California
Benjami Géza Affleck
Benjamin Géza Affleck-Boldt
Benjami Geza Affleck
Benjamin Geza Affleck-Boldt
Enough
Shooting
Made
Director
Every
Biggest
Eastwood
Directors
Clint
Actor
Footage
Single
Warren
Mistake
Talked
Actors
George
More quotes by Ben Affleck
Anybody tells you that money is the root of all evil doesn't have any.
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I have a promptness problem. I am a promptness-free zone.
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The one benefit of having done all kinds of movies as an actor is, you learn the pros and cons of being tempted to do a really big movie because it costs a lot of money.
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Studios are used to have an investment in you, an actual, literal investment in an actor. You paid them some money, you had a contract with them and you were almost like a commodity.
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I'm sure I can make a movie that doesn't feel like a seventies movie! But the truth is, that's my favorite era in American filmmaking. To me, those were the great years.
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Just because a lot of people know something nominal doesn't make it important. A lot of people know what a pencil sharpener is, but that doesn't make it the most important invention of the 20th century.
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I have a good instinct for what's real and what's not. I don't have to second-guess myself.
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I'm trying to make people feel welcome and feel valued.
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The first thing that I really understood politically and was old enough to get was the failed assassination attempt on Reagan.
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I think when you have children, it just changes your worldview.
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It takes time to develop a sense of humor, shared world views.
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I like acting for myself as a director. I act and I know that I'll have a chance to have some say in what gets used and that I'll be able to give myself enough takes and be on the same page as myself about how the scene should play.
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I thought I could rely on the plot in the novel and fill in the colour between the lines, but I made a mistake with that assumption. It was really, really hard because you pull a few things apart and then you realise how everything relies on everything else and it can all fall apart.
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I'm much more interested in what an actor has to say about something substantial and important than who they're dating or what clothes they're wearing or some other asinine, insignificant aspect of their life.
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They say money can't buy happiness? Look at the smile on my face. Ear to ear, baby!
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I simply asked if I could have a go at adapting a screenplay. But I did not want any money, in case I failed because I did not want a script out there with my name on it that might be completely dysfunctional.
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People decided that I was the frat guy, even though I've never been inside a fraternity, or the guy who beat them up at school, even though that wasn't me at all.
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I'm not the most loathsome man in the world. I've dropped to number nine.
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Sometimes I get insecure about being a real director because I look at the great directors, and they have such command. But maybe that keeps me critical of myself. Maybe it keeps me moving forward.
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I'm always described as 'cocksure' or 'with a swagger,' and that bears no resemblance to who I feel like inside. I feel plagued by insecurity.
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