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Sure, I suffered a lot. But it's not like the end of the world and it's not who I am. I lead quite a pleasant life and I'm able to divorce a perceived reality from my actual experience of life.
Ben Affleck
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Ben Affleck
Age: 52
Born: 1972
Born: August 15
Actor
Executive Producer
Film Actor
Film Director
Film Producer
Manufacturer
Poker Player
Screenwriter
Television Actor
Television Producer
Berkeley
California
Benjami Géza Affleck
Benjamin Géza Affleck-Boldt
Benjami Geza Affleck
Benjamin Geza Affleck-Boldt
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Lead
World
Quite
Sure
Experience
Perceived
Reality
Suffered
Ends
Divorce
Able
Actual
Life
Pleasant
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A sale is made on every call you make. Either you sell the client some stock or he sells you a reason he can't. Either way a sale is made, the only question is: Who is gonna close?
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I'm much more interested in what an actor has to say about something substantial and important than who they're dating or what clothes they're wearing or some other asinine, insignificant aspect of their life.
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I love being a father, it's wonderful. It's changed my life. All the clichés are true.
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I don't go back and look at the monitor between every take I wait until I feel like we finally got it right: Let me stop and look at that last one on the monitor.
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I knew I had to get out of Boston and stop making movies there, at least for one movie, otherwise no one would ever consider me for a movie that took place south of Providence.
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I've never held myself up particularly high when I had movies that worked, and I never held myself all that low when I had failures.
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I dyed my hair for photo tests... I kept it because when am I ever going to be blond again?
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I have a promptness problem. I am a promptness-free zone.
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I think I'd rather tell the truth and say what I believe in and make people unhappy than sort of pretend to think something else to accommodate them and try to be liked. That's just the way it goes and I don't think I'm any great champion of anything, but if they're going to put me on a show, I'm going to say what I think.
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I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.
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I remember back when I was a kid there was a comic strip called Plastic Man. His body was elastic and he could make his extremities as long as he wanted. As a youngster I didn't fully appreciate. But I'm now thinking Plastic Man was probably pretty popular with the ladies.
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I simply asked if I could have a go at adapting a screenplay. But I did not want any money, in case I failed because I did not want a script out there with my name on it that might be completely dysfunctional.
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There's a lot of romance to sort of living by your own rules and sort of not subscribing to what society tells you to do, but society pushes back pretty strongly, so there's a lot of compromise that goes with that.
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