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What I love more than anything is Jerry Goldsmith's 80's music and Bernard Herrmann's genre music from the 50's and 60's.

Bear McCreary

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Bear McCreary
Age: 45
Born: 1979
Born: February 17
Composer
Film Score Composer
Musician
Fort Lauderdale
Florida
Jerry
Genre
Anything
Music
Love
Goldsmith
Bernard

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Tension, especially with regard to horror, is a very difficult thing to sustain in the big sense.
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When you change showrunners, it's like getting divorced and getting remarried.
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The showrunner relationship in television is what the director relationship in film, there's really no more important relationship.
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I always like to think I build in historically accurate musical in-jokes that are so precise that like maybe there's 7 or 8 people in the world watching the show that will sit up and go, Oh my God the music being played is the right kind of music!
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I've always approached television from a little more cinematic perspective, if not a much more cinematic perspective because of the shows I have been fortunate enough to work on.
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While the accompanimental [sic] figures come from Prelude, the melody is wholly original to this theme. First stated on a lonely duduk, and then in octaves by the violins and violas, it is a melancholy and contemplative tune.
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If I were doing five cop shows, I'd probably start struggling to find an identity for each one and struggling to find inspirations.
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I have been very fortunate in that I'm not doing all network shows or all cable shows, television has really become a year-round process in the way that it's made.
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