The single sculler, alone on the river at dawn, or spotlighted in his lane during a race, is th emost romantic, the most quixotic figure in all rowing.

If rowing is a trial then the ergometer is the courtroom, the meter is the jury. And an honest jury at that, because the numbers do not lie.

So to the lyre of Orpheus they struck with their oars, The furious water of the sea, and the surge broke into waves. Here and there the dark brine gushed with foam, Roaring terribly through the strength of the mighty men.

Rowing it was pointed out, was a sport that risked few injuries. So it was, I ould discover, but only if you did it right.

There is a place where cerebral an corporeal meet: they call it rowing

Rowing was not simple for me. I nodded whenever the instructor made a point, as if I understood, but I could as easily have assembled the space shuttle as have repeated the moves she was explaining.

It's the quintessential Greek sport: harmonious, competitive, agonizing, nautical, and above all, intelligent. It combines Odysseus's brains and brawn and love of the sea with the tactical precision of the Spartan pikeman.

Eakins rejected gentlemen athletics as his theme. Instead, he took a subject that had been the stuff of illustrated weeklies and the penny press and turned it into fine art. Eakins celebrates not fire from heaven but honest sweat, not genius but hard work.

A boat is the hardest think I know of to put into perspective. It is so much like a human figure, there is something alive about it.

When you are on the erg your mind is too busy to pay attention to the sounds of the machine you notice only that they are indeed loud.

The rower need to know technique and has to be in shape. He won't wrong by using strategy. Yet what it takes to win races is the ability to reach inside and pull out something to keep you going - no, to go faster - when you have nothing left to give. There's a word for what that takes and the word is not magic, the word is guts.