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Paper publishers are doing everything they can to slow the transition to eBooks because, in a digital world, paper publishers' high hardback margins essentially disappear.

Barry Eisler

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Barry Eisler
Age: 61
Born: 1963
Born: January 1
Novelist
Writer
New Jersey
United States
Barry Mark Eisler
High
Margins
Everything
Publishers
World
Transition
Essentially
Digital
Slow
Disappear
Paper
Ebooks

More quotes by Barry Eisler

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The City. Can't you hear it? People. Machines. Even thoughts so thick your bones feel it and your ear almost catches it.
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When I wrote my eighth thriller, Inside Out, in 2009, the villains were a group of CIA and other government officials who colluded to destroy a series of tapes depicting Americans torturing war-on-terror prisoners.
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The two most important things to do for self-defense are not to take a martial arts class or get a gun, but to think like the opposition and know where you're most at risk.
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I make a good living selling hardback books through paper publishers and I have many friends in the industry who will suffer as it changes, so on a personal level the transition to digital isn't something I welcome wholeheartedly.
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The strangest thing about the low quality of Internet argument is that effective argument isnt really so difficult. Sure, not everyone can be Clarence Darrow, but anyone who wants to be at least competent at argument can do it.
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The post office actually achieves its mission. I wish we could say the same of the CIA.
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It would be awesome to be so impressive that we could sway people to our way of thinking just by declaiming our thoughts, but probably most of us lack such gravitas. Luckily, there's something even better: evidence, logic, and argument.
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I can understand the allure of a venerable Big Six imprint, of a shot at the New York Times list, of a publisher-sponsored book tour, of seeing your hardbacks in bookstores and your paperbacks in supermarkets.
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If you focus on the risks, they'll multiply in your mind and eventually paralyze you. You want to focus on the task, instead, on doing what needs to be done.
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From the outside, the CIA seems pretty exotic, but from the inside, it's a big bureaucratic place. Think 'post office with spies.'
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The job of the screenplay is to identify and extract the essence of the story from the novel and reconfigure it for the screen, maintaining its essence in a different vehicle.
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I have a long-standing interest in what I like to think of as forbidden knowledge: methods of unarmed killing, lock picking, breaking and entry, spy stuff, and other things that the government wants only a few select individuals to know.
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The movie is someone else's art. But it's great marketing for books.
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Anger, and the self-righteousness that is both the cause and consequence of anger, tends to be easier on the psyche than personal responsibility.
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If the reader cares, I dont think it matters so much whether your hero is in fact an anti-hero.
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