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You want it, you buy it, you forget it.
Barbara Kruger
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Barbara Kruger
Age: 79
Born: 1945
Born: January 26
Artist
Conceptual Artist
Painter
Photographer
Visual Artist
Newark
New Jersey
Barbarah Ḳruger
Barbarah Kruger
Barabra Kruger
Forget
More quotes by Barbara Kruger
It's really hard for me to use the term 'history' in the singular, because it suggests a reductivist view of how moments and events congeal and reflect the passage of time. I'd rather stick to the pluralness of 'histories' in order to suggest the simultaneity, the parallel forces at work, which produce lived experience.
Barbara Kruger
If I bring up political power, personal power, it sounds like they're my terms, and they're not.
Barbara Kruger
I try to deal with the complexities of power and social life, but as far as the visual presentation goes I purposely avoid a high degree of difficulty.
Barbara Kruger
The so-called language of Barbara Kruger is vernacular language. Obviously, I pick through bits and pieces of it and figure out to some degree how to objectify my experience of the world, using pictures and words that construct and contain me.
Barbara Kruger
There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
Barbara Kruger
I think architecture is one of the predominant orderings of social space. It can construct and contain our experiences. It defines our days and nights. It literally puts us in our place.
Barbara Kruger
I've always thought that it's good to watch the news to find out what everybody else is looking at and believing, if only because that's how consensus is constructed.
Barbara Kruger
I work with pictures and words because they have the ability to determine who we are, what we want to be and what we become.
Barbara Kruger
Architecture is my first love, if you want to talk about what moves me... the ordering of space, the visual pleasure, architecture's power to construct our days and nights.
Barbara Kruger
I think what I'm trying to do is create moments of recognition. To try to detonate some kind of feeling or understanding of lived experience.
Barbara Kruger
The different aspects of my activity, whether it's writing criticism, or doing visual work that incorporates writing, or teaching, or curating, is all of a single cloth, and I don't make any separation in terms of those practices.
Barbara Kruger
I worked with someone else's photos I cropped them in whatever way I wanted and put words on top of them. I knew how to do it with my eyes closed. Why couldn't that be my art?
Barbara Kruger
Although my art work was heavily informed by my design work on a formal and visual level, as regards meaning and content the two practices parted ways.
Barbara Kruger
Seeing is no longer believing. The very notion of truth has been put into crisis. In a world bloated with images, we are finally learning that photographs do indeed lie.
Barbara Kruger
If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture - not only national culture but global culture.
Barbara Kruger
I want people to be drawn into the space of the work. And a lot of people are like me in that they have relatively short attention spans. So I shoot for the window of opportunity.
Barbara Kruger
Direct address has been a consistent tactic in my work, regardless of the medium that I'm working in.
Barbara Kruger
I have problems with a lot of photography, particularly street photography and photojournalism - objectifying the other, finding the contempt and exoticism that you might feel within yourself or toward yourself and projecting it out to others. There can be an abusive power to photography, too.
Barbara Kruger
I'm an artist who works with pictures and words. Sometimes that stuff ends up in different kinds of sites and contexts which determine what it means and looks like.
Barbara Kruger
What I'm trying to do is create moments of recognition.
Barbara Kruger