Quote

I want people to be drawn into the space of the work. And a lot of people are like me in that they have relatively short attention spans. So I shoot for the window of opportunity.

Barbara Kruger

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Barbara Kruger
Age: 79
Born: 1945
Born: January 26
Artist
Conceptual Artist
Painter
Photographer
Visual Artist
Newark
New Jersey
Barbarah Ḳruger
Barbarah Kruger
Barabra Kruger
Like
Shoot
People
Window
Short
Attention
Space
Opportunity
Spans
Artist
Relatively
Work
Drawn

More quotes by Barbara Kruger

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The place of the arts in the classroom is essential in encouraging invention, ambition, and an understanding of the importance and pleasures of living an examined life.
Barbara Kruger
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You know, one of the only times I ever wrote about art was the obituary of Warhol that I did for the Village Voice.
Barbara Kruger
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We are obliged to steal pieces of language, both visual and textual.
Barbara Kruger
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Fashion is everywhere and about everything. It is folly, vanity and the fun of it all. It is disguise, innuendo, and cunning. It is mean, gorgeous and ambitious, and definitely the last word for the next few seconds.
Barbara Kruger
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The so-called language of Barbara Kruger is vernacular language. Obviously, I pick through bits and pieces of it and figure out to some degree how to objectify my experience of the world, using pictures and words that construct and contain me.
Barbara Kruger
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I like suggesting that ‘we are slaves to the objects around us,’ that ‘plenty should be enough,’ or that the ‘buyer should beware,’ within the context of conventional selling space.
Barbara Kruger
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I've always thought that it's good to watch the news to find out what everybody else is looking at and believing, if only because that's how consensus is constructed.
Barbara Kruger
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Look, we're all saddled with things that make us better or worse. This world is a crazy place, and I've chosen to make my work about that insanity.
Barbara Kruger
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But I really resist categories – that naming is a closing down of meaning. Women's art, political art – those categorisations perpetuate a certain kind of marginality which I'm resistant to. But I absolutely define myself as a feminist.
Barbara Kruger
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I have problems with a lot of photography, particularly street photography and photojournalism - objectifying the other, finding the contempt and exoticism that you might feel within yourself or toward yourself and projecting it out to others. There can be an abusive power to photography, too.
Barbara Kruger
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Do you know why language manifests itself the way it does in my work? It's because I understand short attention spans.
Barbara Kruger
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You make history when you do business.
Barbara Kruger
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There's a moment of recognition. It's that white-light kind of stuff that just works. I love that. And you know it when it happens, whether it's a movie, music, a building, a book.
Barbara Kruger
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Love is something you fall into.
Barbara Kruger
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I'm an artist who works with pictures and words. Sometimes that stuff ends up in different kinds of sites and contexts which determine what it means and looks like.
Barbara Kruger
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I try to deal with the complexities of power and social life, but as far as the visual presentation goes I purposely avoid a high degree of difficulty.
Barbara Kruger
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Photography has saturated us as spectators from its inception amidst a mingling of laboratorial pursuits and magic acts to its current status as propagator of convention, cultural commodity, and global hobby.
Barbara Kruger
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What makes the production of my work so expensive? The whole installation thing - the construction, the objects, the technology. It really adds up.
Barbara Kruger
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I've always been very tied to language.
Barbara Kruger
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It's really hard for me to use the term 'history' in the singular, because it suggests a reductivist view of how moments and events congeal and reflect the passage of time. I'd rather stick to the pluralness of 'histories' in order to suggest the simultaneity, the parallel forces at work, which produce lived experience.
Barbara Kruger