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When I was teaching at the University of Tehran we were struggling against the implementation of the revolution rules.
Azar Nafisi
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Azar Nafisi
Age: 68
Born: 1955
Born: December 1
Faculty Member
Journalist
Literary Critic
Novelist
Professor
Public Figure
Writer
Teheran
Struggle
Tehran
Implementation
Struggling
University
Rules
Revolution
Teaching
More quotes by Azar Nafisi
Unfortunately for governments like that of Iran, when they forbid something, people become more interested.
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You get a strange feeling when you're about to leave a place, I told him, like you'll not only miss the people you love but you'll miss the person you are now at this time and this place, because you'll never be this way ever again.
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Lots of times you can feel as an exile in a country that you were born in.
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It takes courage to die for a cause, but also to live for one.
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That, of course, is what great works of imagination do for us: They make us a little restless, destabilize us, question our preconceived notions and formulas.
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A novel is not an allegory.... It is the sensual experience of another world. If you don't enter that world, hold your breath with the characters and become involved in their destiny, you won't be able to empathize, and empathy is at the heart of the novel. This is how you read a novel: you inhale the experience. So start breathing.
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I have a recurring fantasy that one more article has been added to the Bill of Rights: the right to free access to imagination.
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The revolution taught me not to be consoled by other people's miseries, not to feel thankful because so many others had suffered more. Pain and loss, like love and joy, are unique and personal they cannot be modified by comparison to others.
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Every culture has something to be ashamed of, but every culture also has the right to change, to challenge negative traditions, and create to new ones.
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I'm a perfectly equipped failure.
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Empathy lies at the heart of Gatsby, like so many other great novels-the biggest sin is to be blind to others problems and pains. Not seeing them means denying their existence.
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With fear come the lies and the justifications that, no matter how convincing, lower our self-esteem.
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Thus the regime has deprived Iranian women not just of their present rights, but also of their history and their past.
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I see people who talk about America, and then undermine it by not paying attention to its soul, to its poetry. I see polarization, reductionism and superficiality.
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Those in the west who dismiss the repressiveness of laws against women in countries like Iran, no matter how benign their intentions, present a condescending view not just of the religion but also of women living in Muslim majority countries, as if the desire for choice and happiness is the monopoly of women in the west.
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A bad author can take the most moral issue and make you want to just never, ever think about that moral issue.
Azar Nafisi
This is a good time to ask apologists for the Islamic regime, who degrades Islam? Who imposes stoning, forced marriage of underage girls and flogging for not wearing the veil? Do such practices represent Iran's ancient history and culture, its ethnic and religious diversity? Its centuries of sensual and subversive poetry?
Azar Nafisi
The stories from Iran's present and past are reminders that freedom, democracy and human rights, or fundamentalism, fascism and terrorism are not geographically and culturally determined, but universal.
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The crisis besetting America is not just an economic or political crisis something deeper is wreaking havoc across the land, a mercenary and utilitarian attitude that demonstrates little empathy for people’s actual well-being, that dismisses imagination and thought, branding passion for knowledge as irrelevant.
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In the past 30 years, officials of the Iranian regime and its apologists have labeled criticism, especially with regard to women's rights, as anti-Islamic and pro-Western, justifying its brutalities by ascribing them to Islam and Iran's culture.
Azar Nafisi
