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Thus the regime has deprived Iranian women not just of their present rights, but also of their history and their past.
Azar Nafisi
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Azar Nafisi
Age: 68
Born: 1955
Born: December 1
Faculty Member
Journalist
Literary Critic
Novelist
Professor
Public Figure
Writer
Teheran
History
Past
Iranian
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Regime
Women
Deprived
Regimes
Thus
Present
Rights
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I'm a perfectly equipped failure.
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Art is as useful as bread.
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We in ancient countries have our past- we obsess over the past. They, the Americans, have a dream: they feel nostalgia about the promise of the future.
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America was based on a poetic vision. What will happen when it loses its poetry?
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In the past 30 years, officials of the Iranian regime and its apologists have labeled criticism, especially with regard to women's rights, as anti-Islamic and pro-Western, justifying its brutalities by ascribing them to Islam and Iran's culture.
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Only curiosity about the fate of others, the ability to put ourselves in their shoes, and the will to enter their world through the magic of imagination, creates this shock of recognition. Without this empathy there can be no genuine dialogue, and we as individuals and nations will remain isolated and alien, segregated and fragmented.
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The worst crime committed by totalitarian mind-sets is that they force their citizens, including their victims, to become complicit in their crimes. Dancing with your jailer, participating in your own execution, that is an act of utmost brutality.
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The crisis besetting America is not just an economic or political crisis something deeper is wreaking havoc across the land, a mercenary and utilitarian attitude that demonstrates little empathy for people’s actual well-being, that dismisses imagination and thought, branding passion for knowledge as irrelevant.
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Once evil is individualized, becoming part of everyday life, the way of resisting it also becomes individual. How does the soul survive? is the essential question. And the response is: through love and imagination.
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A bad author can take the most moral issue and make you want to just never, ever think about that moral issue.
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Lots of times you can feel as an exile in a country that you were born in.
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A novel is not an allegory.... It is the sensual experience of another world. If you don't enter that world, hold your breath with the characters and become involved in their destiny, you won't be able to empathize, and empathy is at the heart of the novel. This is how you read a novel: you inhale the experience. So start breathing.
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This is a good time to ask apologists for the Islamic regime, who degrades Islam? Who imposes stoning, forced marriage of underage girls and flogging for not wearing the veil? Do such practices represent Iran's ancient history and culture, its ethnic and religious diversity? Its centuries of sensual and subversive poetry?
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You get a strange feeling when you're about to leave a place, I told him, like you'll not only miss the people you love but you'll miss the person you are now at this time and this place, because you'll never be this way ever again.
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Those in the west who dismiss the repressiveness of laws against women in countries like Iran, no matter how benign their intentions, present a condescending view not just of the religion but also of women living in Muslim majority countries, as if the desire for choice and happiness is the monopoly of women in the west.
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For more than 30 years the Islamic regime and its apologists have tried to dismiss women's struggle in Iran as part of a western ploy.
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I see people who talk about America, and then undermine it by not paying attention to its soul, to its poetry. I see polarization, reductionism and superficiality.
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Empathy lies at the heart of Gatsby, like so many other great novels-the biggest sin is to be blind to others problems and pains. Not seeing them means denying their existence.
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With fear come the lies and the justifications that, no matter how convincing, lower our self-esteem.
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The dearer a book was to my heart, the more battered and bruised it became.
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