When I work on music, I never think about vocalists. They're the last person I'm making music for.

There is a congratulatory culture in the Gulf. From birth onwards, there is a culture of giving people trophies as markers of achievement for making it through society. It's cementing allegiance to authority at a very young age.

I feel like there is an emphasis against teaching geography in American schools. Americans don't say, I'm going to Germany. They say, I'm going to Europe.

I'm sure that a lot of my friends - even though they're curious about the music of nations that are not on their radar - still don't know what Kuwaiti music sounds like.

I was one of five out of 100 people who passed the test, which just proved to me how little Americans are taught geography.

I'm not a philosopher so why should I provide anyone with the answers? I'm just a musician, I don't have any solutions. All I'm doing is questioning the status quo, with every record I've made, to a certain extend.

There's a big difference between the Arabic and Western scales. One uses quarter tone system and one doesn't. So in order for me to compose real Arabic scale melodies, I would need an Arabic keyboard, and I don't have one. So I had to compose Arabesque melodies.

I've never been to China. I only know what the West is telling me about China.

I only have a Bachelor's Degree but I've had professors who have instilled this kind of academic rigor in me where I don't make any generalizations or closed statements. There always has to be room for interpretation.

I feel like I got my first real taste of Caribbean and Cuban culture while I was there. I have quite a sizeable Cuban vinyl collection from Miami thrift stores.