There's a stereotype that to be a strong black woman is to be strong about being black.

I think a lot about race and the burdens of representation. There's an idea that because I'm writing a book set around the time of the Great Migration, and happen to be black, I'm trying to write a definitive account of the Great Migration, the so-called black experience. That's not what I'm doing, and it can be frustrating.

The critics and the reviewers are more frightening than anything else!

There is a forgotten black middle class in America - a group which is huge but underrepresented in the media and in art. It's difficult to talk about these things, because it forces one to talk in generalities, but that's my view. I do think the idea of a blanket class for black people is unfortunately still present.

At some point I just acknowledged, at least to myself, that I had a great deal of respect for people of faith. Faith is a strange and wonderful thing. You come up to a kind of wall of unknowing and instead of turning back in despair you leap over it into something else. The Church isn't why I'm a writer, but it's probably a part of it.

I've been writing all my life. Even though I didn't have sort of careerist aspirations as a writer, it was very much my identity.

The correlations between real life experience and the storylines in novels are never as direct or simple as they might seem.

I really, deeply believe in the primacy of character. I believe that my job as a writer is to put a believable human being on a page.

If there had never been the Great Migration there would never have been jazz, there would never have been Michelle Obama. A lot of amazing black people exist in this country because of the Great Migration. That's nation-building.

I like to say I had a very varied undergraduate education. I was an English major first, and then at the end of my college career I decided I was interested in urban planning. I became an urban studies major, with a minor in poetry. I don't think I knew what I was looking for in my early twenties, but I know I kept not finding it.

Racial terrorism affects the lives of white people and black people and everyone, everything. Racism is contaminating. It can affect the dogs in the street. So the process of beginning to rid the country of prejudice was in itself a kind of nation-building.

I think that if you just write your characters you end up with something that people can access.

One of the things that writers worry about is finding a voice. I don't think it's a thing that you find so much as it is something that comes to you, or that presents itself.