I don't have an ideal reader. I'm trying to reach something simple and, I believe, universal, in every single person.

I feel like that religions generally ask the biggest questions. They may not always have the best answers, but they're the zone of human activity that regularly asks the biggest questions.

I consider myself to have been formed by a lot of the locutions and aesthetics and principles of the Muslim way of life, and those are an important part of my childhood and my identity.

I think that literary forms are losing their capacity to connect people to issues, to the experiences that feel most meaningful to them.

I have no interest in problematizing things. So what I am writing to is that simple sense of being human in myself.

The Quran is many different things, and we also have to see the Quran almost as a secondary source commenting on the Old Testament.

I don't feel that as an artist my job is to offer PR propaganda, whether for the good or for the bad.

I don't want to test that simple sense of being human. I don't want to transform it.

I feel like one of the things that is central to American life is the religious experience, and I think that the experience of being Muslim in America is as valid and as important a perspective on the religious experience of America as evangelical Christianity or Judaism - whatever it may be.

In my early 30s, I started to realise I was avoiding something on a personal level, but also as a writer. I was in denial about who I was, and was trying to be someone who I was not.

The secret of a happy life is respect. Respect for yourself and respect for others.

I'm a storyteller. I feel like the issue of discourse is an important one because there's a lot of political and ideological discourse that goes around, and we relate to that on an intellectual level.

Here's the problem: we are living in a time when the act of reading is changing. The nature of a reader's attention is changing. The capacity for deep literary engagement is changing.

I started to understand that for me, art was no longer about self-expression but about creative engagement with the world. I started to respond in an excited way to making work inside an industry and not feeling the constraints of audience expectation as some kind of thing that I should avoid.

I don't know what it's like to be Jewish, but I suspect there is some aspect of that: being Jewish is the thing that bonds you as opposed to being Jewish from Poland, or Jewish from Hungary.

I've always felt a connection to kids who go to church. I think I'm fundamentally a religiously oriented and religiously minded person. It's very easy for me to communicate with people who have that same grounding, that same vocabulary or modality of thinking and expressing themselves.