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Things have changed. The suburbs are developed, but other parts, like where we recorded Spirit and Danse Manatee are still woodland and farmland.

Avey Tare

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Avey Tare
Age: 45
Born: 1979
Born: April 24
Guitarist
Musician
Singer
Baltimore
Maryland
David Michael Portner
Like
Suburbs
Recorded
Developed
Parts
Changed
Spirit
Still
Farmland
Things
Woodland

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Hell is a swamp, to me - not as something fiery, but as something dank, moist, and wet.
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I didn't really know why I wanted to go to college. I didn't really have a reason to go there other than the fact that everybody else was doing it.
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Around the time I dropped out of college, I decided to start taking what I liked about short stories and apply it to writing songs - to make these things that would change and keep going.
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It's too bad music can't be like movies. For me, playing music and listening to music and creating music is very environmental. It creates a certain environment it sets a specific mood.
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I just had a really crappy time in school and I spent a lot of time writing songs and not doing work. I started talking to Noah - Panda Bear - about recording a really solid album, spending a lot of time on it to get it to sound exactly the way we wanted it to.
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I'm not against being proud of where you come from but I feel like sometimes the divisions are a little too bold and it hurts us more than it helps us.
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I always thought it was important for my lyrics to come from a really honest place.
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I definitely didn't have a lot of money. I had been fired from a record store. I was just trying to get by. I was on unemployment. I didn't have anything going full-time.
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We're all living in different states and we all have different systems within those states. Even on the most basic personal level, it affects me.
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In a lot of African music, the singers are just singing whatever they feel at the time - because the instrumentation is repetitive, they can come and go as they please. That's how we approach it. Not verse-chorus-verse.
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I love electronic music as much as I love something that sounds like 'Pullhair Rubeye,' or something a little bit more organic than that.
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There's something scary about the unknown. And maybe the scariest movies couldn't ever be made because they are too deep in somebody's head, too unknown to get out.
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People seem to think that folk music is people with acoustic guitars. Or punk music is people with mohawks, leather jackets.
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Music can be so manipulating - especially in terms of horror. It's such an important part of building the tension.
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I think we stumbled onto our own sort of lore back in high school. We weren't with the drinkers, we were more the psychedelic warriors. We sat around watching horror films.
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