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The traditional ways to make a film, the traditional ways to share a film, have all collapsed. There are no gatekeepers, per se, any more, and anything can be done. Truly, I feel that.

Ava DuVernay

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Ava DuVernay
Age: 52
Born: 1972
Born: August 24
Film Director
Film Producer
Filmmaker
Screenwriter
Showrunner
Television Producer
Writer
Long Beach
California
Ava Marie DuVernay
Anything
Done
Gatekeepers
Feel
Collapsed
Feels
Traditional
Way
Truly
Make
Share
Ways
Film

More quotes by Ava DuVernay

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Most of us think prison is a place where bad people go - which is what I thought for a long time - until you really start to look inside the system and you see, this is not right.
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I tell the stories that are of interest to me.
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When I'm marketing a film, whether its mine or someone else's, I work with a great deal of strategy and elbow grease until the job is done.
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It was easy for me to show the films to the studio and the network and say, This is who I'm hiring.
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I don't want to say that in a place that's negative about what the fear is. I just want to be a realist.
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I don't understand the iPhone. I just don't get it. Don't ya'll have to write serious emails throughout the day? How can you possibly manage detailed missives on a phone with no keys?
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We're living based on laws and ideas that we, as a society, embraced back in the days of slavery.
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I'm not to say that my male counterparts do, but certainly, it feels very special to me because I know that so few women have had the opportunity to do what I'm doing, so I'm thrilled by it every day.
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Folks can look at this issue and read it and it can feel like medicine, it can feel epidemic. We wanted this to hit people in their gut, and the hope is that by doing that, we can get more people to think more deeply about these issues.
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Don't wait for permission to do something creative.
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[ Hollywood] is a patriarchy, headed by men and built for men.
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When I went out to shoot for the first time, I thought this was going to be about the prison industrial complex, purely about prison for profit and the ways in which there's an industry making money and profiting off punishment.
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A lot of work was done with one of my best friends and editor, Spencer Averick, who's edited everything I've ever made from the very, very first documentaries the very, very first films I made were docs, so we learned the form together.
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If you have the ability to do something, you should do it.
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The terrain of the face is the most dynamic thing you can point the camera at, to me. I love production design and bells and whistles and all of that. I love a technograin as much as the next gal, but a great actor's face? What else should we be looking at?
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I think there are pieces of the film [Age Of Trump] that are even more emotionally resonant and more vital to talk about than ever.
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We have to find new ways to work without permission, new ways to turn corners and go through doors that are closed off to us to create our own audiences and our own material independently.
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I'm not the most athletic gal, but because making a movie is very physical, I slow down on the Krispy Kreme and Ice Blendeds. I start to get leaner and more focused - like I'm going into a boxing match - because I'm about to really try to put this idea on its feet.
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When you force sleep, it doesn't happen.
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You know, often films that are deemed positive, nobody wants to see them.
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