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I know that sounds a little bit corny, but I've found some solace in that. I hope art can continue to do that for people, I really do.

Ava DuVernay

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Ava DuVernay
Age: 52
Born: 1972
Born: August 24
Film Director
Film Producer
Filmmaker
Screenwriter
Showrunner
Television Producer
Writer
Long Beach
California
Ava Marie DuVernay
Littles
Corny
Little
Sounds
Really
Continue
People
Bits
Sound
Hope
Found
Art
Solace

More quotes by Ava DuVernay

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I think I am a little jealous of women who have great girlfriends as adults.
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These are dark times for a lot of people who believe differently than our incoming administration [of Donald Trump], but there's also joy there, and there's also something in unifying around the things that we do believe in.
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Working full-time as a filmmaker has been a dream come true.
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To pretend like Hollywood is anything other than that is disingenuous. #OscarsSoWhite is trendy, but for women filmmakers and filmmakers of color, it's not a trend. This is our reality, and it's important that we do something to change it.
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You know, often films that are deemed positive, nobody wants to see them.
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I tell the stories that are of interest to me.
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Ignore the glass ceiling and do your work. If you're focusing on the glass ceiling, focusing on what you don't have, focusing on the limitations, then you will be limited. My way was to work, make my short... make my documentary... make my small films... use my own money... raise money myself... and stay shooting and focused on each project.
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The fact that's why the prisons and stock in private prisons rose the very day after the election results [for Donald Trump] were announced. The fact that progress that was made for people of color, for women, for LGBTQ people, are all at risk.
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[ Hollywood] is a patriarchy, headed by men and built for men.
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Stop asking, start doing.
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As long as you're in an environment where the worth of the project isn't based on the project but what its predecessors did, it's not truly inclusive.
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Netflix represents, as well as all the streaming services, something that I've been talking about being so important to inclusive voices around films.
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I was talking to Shonda Rhimes the other day and I said, I. Do. Not. Know. How. You. Do. This. While we're writing episode 10, episode 6 is shooting, episode 3 is in the edit, and episode 2 is in its color session...You've got seven episodes in different parts! It's a wild, wild, wild ride, which I thoroughly enjoyed. It was badass and amazing
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I'm not to say that my male counterparts do, but certainly, it feels very special to me because I know that so few women have had the opportunity to do what I'm doing, so I'm thrilled by it every day.
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Historically, you've had really muddy, unforgiving, unintentional images of black people.
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We [Americans] know Martin Luther King Jr. as a statue. We know him as a holiday. We know him as a speech. We don't know him as a man. Most people don't even know the whole speech, just I have a dream. They don't know what his speaking voice was like, how he looked at his wife, or that he had four kids.
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When I went out to shoot for the first time, I thought this was going to be about the prison industrial complex, purely about prison for profit and the ways in which there's an industry making money and profiting off punishment.
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For film, you know, the Tarantinos and Nolans of the world who are very focused on a certain kind of film aesthetic and a certain kind of presentation, to be honest, that comes from a place of privilege. It comes from a place of always having access to such, but when you ain't never - you can't see it because you can't even get to it.
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It was easy for me to show the films to the studio and the network and say, This is who I'm hiring.
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Filmmakers need to realize that their job isn't done when they lock picture. We must see our films through. Studios no longer do this for a large percentage of films. The odds that your film will get a major campaign are dim these days. So you must find and nurture your own audience and make sure your film has a life.
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