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I know that sounds a little bit corny, but I've found some solace in that. I hope art can continue to do that for people, I really do.

Ava DuVernay

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Ava DuVernay
Age: 52
Born: 1972
Born: August 24
Film Director
Film Producer
Filmmaker
Screenwriter
Showrunner
Television Producer
Writer
Long Beach
California
Ava Marie DuVernay
Really
Continue
People
Bits
Sound
Hope
Found
Art
Solace
Littles
Corny
Little
Sounds

More quotes by Ava DuVernay

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I just remember not having access to films as a young person who loved films but living in Compton.
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When I'm marketing a film, whether its mine or someone else's, I work with a great deal of strategy and elbow grease until the job is done.
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If you have the ability to do something, you should do it.
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When you force sleep, it doesn't happen.
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I'm not to say that my male counterparts do, but certainly, it feels very special to me because I know that so few women have had the opportunity to do what I'm doing, so I'm thrilled by it every day.
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Figure out what you need to do to be the heroine of your own story.
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I make films about Black women and it doesn't mean that you can't see them as a Black man, doesn't mean that he can't see them as a white man or she can't see them as a white woman.
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When you say cultural icon, I scrunch my nose.
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I was talking to Shonda Rhimes the other day and I said, I. Do. Not. Know. How. You. Do. This. While we're writing episode 10, episode 6 is shooting, episode 3 is in the edit, and episode 2 is in its color session...You've got seven episodes in different parts! It's a wild, wild, wild ride, which I thoroughly enjoyed. It was badass and amazing
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Folks can look at this issue and read it and it can feel like medicine, it can feel epidemic. We wanted this to hit people in their gut, and the hope is that by doing that, we can get more people to think more deeply about these issues.
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I wish I could be the black woman Soderbergh, and put the camera on my shoulder and shoot beautifully while I directed.
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Don't wait for permission to do something creative.
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I thing for female filmmakers a big issue is making their second and third films. You see the statistics, and the dropoff on the second and third [films] , are dire.
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We have to find new ways to work without permission, new ways to turn corners and go through doors that are closed off to us to create our own audiences and our own material independently.
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I don't want to say that in a place that's negative about what the fear is. I just want to be a realist.
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I really admire Werner Herzog and Spike Lee. They're amazing documentarians. If you took away all the narratives, they'd just be amazing documentarians.
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I didn't start out thinking that I could ever make films. I started out being a film lover, loving films, and wanting to have a job that put me close to them and close to filmmakers and close to film sets.
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For film, you know, the Tarantinos and Nolans of the world who are very focused on a certain kind of film aesthetic and a certain kind of presentation, to be honest, that comes from a place of privilege. It comes from a place of always having access to such, but when you ain't never - you can't see it because you can't even get to it.
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I didn't go to film school. I got my education on the set as a niche publicist in the film industry.
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It sounds kind of flighty, filmmaker-y, but I believe films are a piece of art. They are meant to be what they're meant to be, and sometimes the artist is informed by the film of what it needs to be.
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