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I think there are pieces of the film [Age Of Trump] that are even more emotionally resonant and more vital to talk about than ever.

Ava DuVernay

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Ava DuVernay
Age: 52
Born: 1972
Born: August 24
Film Director
Film Producer
Filmmaker
Screenwriter
Showrunner
Television Producer
Writer
Long Beach
California
Ava Marie DuVernay
Thinking
Pieces
Trump
Talk
Age
Film
Ever
Resonant
Even
Emotionally
Think
Vital

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[ Hollywood] is a patriarchy, headed by men and built for men.
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I think that women definitely have a special bond as friends that is hard to describe to men, and we don't often see that portrayed narratively.
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I didn't go to film school. I got my education on the set as a niche publicist in the film industry.
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When I went out to shoot for the first time, I thought this was going to be about the prison industrial complex, purely about prison for profit and the ways in which there's an industry making money and profiting off punishment.
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I really admire Werner Herzog and Spike Lee. They're amazing documentarians. If you took away all the narratives, they'd just be amazing documentarians.
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I'm not to say that my male counterparts do, but certainly, it feels very special to me because I know that so few women have had the opportunity to do what I'm doing, so I'm thrilled by it every day.
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I don't understand the iPhone. I just don't get it. Don't ya'll have to write serious emails throughout the day? How can you possibly manage detailed missives on a phone with no keys?
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The terrain of the face is the most dynamic thing you can point the camera at, to me. I love production design and bells and whistles and all of that. I love a technograin as much as the next gal, but a great actor's face? What else should we be looking at?
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When you force sleep, it doesn't happen.
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I'm a huge Dirty Dancing fan. I feel like I should be reading [William] Shakespeare, but I'm watching Baby not be in a corner.
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As long as you're in an environment where the worth of the project isn't based on the project but what its predecessors did, it's not truly inclusive.
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I didn't start out thinking that I could ever make films. I started out being a film lover, loving films, and wanting to have a job that put me close to them and close to filmmakers and close to film sets.
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Filmmakers need to realize that their job isn't done when they lock picture. We must see our films through. Studios no longer do this for a large percentage of films. The odds that your film will get a major campaign are dim these days. So you must find and nurture your own audience and make sure your film has a life.
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If you have the ability to do something, you should do it.
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True change is a long game, and it remains to be seen if this is change. We've had years before where there have been great years for filmmakers and performers of color, LGBTQ filmmakers and performers, women.
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Ignore the glass ceiling and do your work. If you're focusing on the glass ceiling, focusing on what you don't have, focusing on the limitations, then you will be limited. My way was to work, make my short... make my documentary... make my small films... use my own money... raise money myself... and stay shooting and focused on each project.
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I think when we get to a place that this is not the story, that everyone's story is a part of the story, then we can say this has changed. Until then, these are steps to change if they're consistent.
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I know that there are a lot of great women that have gone before me, so it's important to acknowledge them.
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You know, often films that are deemed positive, nobody wants to see them.
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Netflix represents, as well as all the streaming services, something that I've been talking about being so important to inclusive voices around films.
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