Quote

We have to find new ways to work without permission, new ways to turn corners and go through doors that are closed off to us to create our own audiences and our own material independently.

Ava DuVernay

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TAGS & TOPICS

Ava DuVernay
Age: 52
Born: 1972
Born: August 24
Film Director
Film Producer
Filmmaker
Screenwriter
Showrunner
Television Producer
Writer
Long Beach
California
Ava Marie DuVernay
Ways
Audiences
Create
Permission
Audience
Closed
Turns
Corners
Find
Material
Without
Materials
Work
Doors
Way
Turn
Independently

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Stop asking, start doing.
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It was easy for me to show the films to the studio and the network and say, This is who I'm hiring.
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I tell the stories that are of interest to me.
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I know that sounds a little bit corny, but I've found some solace in that. I hope art can continue to do that for people, I really do.
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I thing for female filmmakers a big issue is making their second and third films. You see the statistics, and the dropoff on the second and third [films] , are dire.
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If you have the ability to do something, you should do it.
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Filmmakers need to realize that their job isn't done when they lock picture. We must see our films through.
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It sounds kind of flighty, filmmaker-y, but I believe films are a piece of art. They are meant to be what they're meant to be, and sometimes the artist is informed by the film of what it needs to be.
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I'm not the most athletic gal, but because making a movie is very physical, I slow down on the Krispy Kreme and Ice Blendeds. I start to get leaner and more focused - like I'm going into a boxing match - because I'm about to really try to put this idea on its feet.
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I really admire Werner Herzog and Spike Lee. They're amazing documentarians. If you took away all the narratives, they'd just be amazing documentarians.
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I'm not to say that my male counterparts do, but certainly, it feels very special to me because I know that so few women have had the opportunity to do what I'm doing, so I'm thrilled by it every day.
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True change is a long game, and it remains to be seen if this is change. We've had years before where there have been great years for filmmakers and performers of color, LGBTQ filmmakers and performers, women.
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For film, you know, the Tarantinos and Nolans of the world who are very focused on a certain kind of film aesthetic and a certain kind of presentation, to be honest, that comes from a place of privilege. It comes from a place of always having access to such, but when you ain't never - you can't see it because you can't even get to it.
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I didn't go to film school. I got my education on the set as a niche publicist in the film industry.
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At the end of the day, I had to remain dedicated to historical accuracy.
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I'm a huge Dirty Dancing fan. I feel like I should be reading [William] Shakespeare, but I'm watching Baby not be in a corner.
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Netflix represents, as well as all the streaming services, something that I've been talking about being so important to inclusive voices around films.
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When I'm marketing a film, whether its mine or someone else's, I work with a great deal of strategy and elbow grease until the job is done.
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The traditional ways to make a film, the traditional ways to share a film, have all collapsed. There are no gatekeepers, per se, any more, and anything can be done. Truly, I feel that.
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You know, often films that are deemed positive, nobody wants to see them.
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