I like to keep a broad scope and read lots of different things with lots of different types of characters. Doing that is going to help develop me as an actor you push yourself.

The most exciting thing in England is a pigeon or foxes, which isn't very interesting to watch because everyone knows what they do. But I've taken pictures of them. Just for practice.

When you're working in the [film] industry and you're working with people who are well known and are so regarded, you do just pick up on things. Seeing the way that people hold themselves and compose themselves before a scene - it's inspirational.

I play a lot of strategy games and team and reactionary games. So it's a different sort of skill that you're practicing.

Don't do piracy. Piracy is a crime.

I've pretty much always had the same haircut my entire life.

I think I can speak for a lot of people in that they would be pretty nervous about meeting Harrison Ford, and I was definitely one of those people.

My older movies, I find easier to watch.

I'd imagine the whole world was one big machine. Machines never come with any extra parts, you know. They always come with the exact amount they need. So I figured, if the entire world was one big machine, I couldn't be an extra part. I had to be here for some reason.

I never wanted to be home-schooled. I didn't like the idea of being home-schooled. It would only separate myself even further from the real world, and that's never what I wanted.

I still get star-struck by people like Harrison Ford, but I think it's become more natural and more a part of my life. You have to be professional and keep a straight face. You can squeal behind their backs.

It's kind of hard to enjoy the film when you are watching yourself the whole time. But you do get on with it and try and appreciate everything else about the movie. At least that's what I do. It depends on how fresh in my memory the whole experience is.

I think it's always difficult no matter how similar your characters are to yourself to get into that mindset, because however much they are similar to you, they're not you.

For me, with any character, there are different ways that you approach understanding him, and in this film in particular, because I had the novel to refer to. It's always really helpful to have all of that information and all of those hundreds more words which give you an idea into the background and your character and all.

Talking to people and hearing their stories, you learn a lot.

I can clap really fast. I can beatbox. I can type the alphabet in under 2 seconds. That's probably the one I'm most proud of.

When you really want a role and you really want a character, you become quite close to the script and the project, and it is sad when it doesn't go your way. But I've found there's always another one, which will be as good if not better. You can't let your failures bring you down when you're an actor, because then you can't get up.

I don't like to look for anything in particular.