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NGOs are dangerous. They do what the missionaries used to do in Colonial times. They are Trojan Horses. The worse the situation, the more the NGOs.

Arundhati Roy

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Arundhati Roy
Age: 63
Born: 1961
Born: September 24
Author
Essayist
Novelist
Screenwriter
Writer
Suzanna Arundhati Roy
Worse
Horse
Dangerous
Ngos
Situation
Trojan
Times
Trojans
Used
Missionaries
Colonial
Horses

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As she watched him she understood the quality of his beauty. How his labor had shaped him. How the wood he fashioned had fashioned him. Each plank he planed, each nail he drove, each thing he made molded him. Had left its stamp on him. Had given him his strength, his supple grace.
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Some things come with their own punishments. Like bedrooms with built-in cupboards. They would all learn more about punishments soon. That they came in different sizes. That some were so big they were like cupboards with built-in bedrooms. You could spend your whole life in them, wandering through dark shelving.
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He could do only one thing at a time. If he held her, he couldn't kiss her. If he kissed her, he couldn't see her. If he saw her, he couldn't feel her.
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So here we have it. The equivocating distinction between civilisation and savagery, between the massacre of innocent people or, if you like, a clash of civilisations and collateral damage. The sophistry and fastidious algebra of infinite justice.
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She wore flowers in her hair and carried magic secrets in her eyes. She spoke to no one. She spent hours on the riverbank. She smoked cigarettes and had midnight swims.
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Poverty is a crime and the poor are terrorists
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The strange thing about Roman soldiers in the comics was the amount of trouble they took over their armor and their helmets, and then, after all that, they left their legs bare. It didn't make any sense at all. Weatherwise or otherwise.
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At some stage, as the water tables are dropping and the minerals that remain in the mountains are being taken out, we are going to confront a crisis from which we cannot return. The people who created the crisis in the first place will not be the ones that come up with a solution.
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A sparrow lay dead on the backseat. She had found her way through a hole in the windscreen, tempted by some seat-sponge for her nest. She never found her way out. No one noticed her panicked car-window appeals. She died on the backseat, with her legs in the air. Like a joke.
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India's a very interesting place... there's no formal opposition, but there's genuine on-the-ground opposition.
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Literature is the opposite of a nuclear bomb.
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Non-violence is a piece of theatre. You need an audience. What can you do when you have no audience?
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Fiction and non-fiction are only different techniques of story telling. For reasons I do not fully understand, fiction dances out of me. Non-fiction is wrenched out by the aching, broken world I wake up to every morning.
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May in Ayemenem is a hot, brooding month. The days are long and humid. The river shrinks and black crows gorge on bright mangoes in still, dustgreen trees. Red bananas ripen. Jackfruits burst. Dissolute bluebottles hum vacuously in the fruity air. Then they stun themselves against clear windowpanes and die, fatly baffled in the sun.
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It's so frightening, the nationalism in the air.
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Wars are never fought for altruistic reasons.
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If you're happy in a dream, does that count?
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Rahel’s toy wristwatch had the time painted on it. Ten to two. One of her ambitions was to own a watch on which she could change the time whenever she wanted to (which according to her was what Time was meant for in the first place).
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Margaret Kochamma's tiny, ordered life relinquished itself to this truly baroque bedlam with the quiet gasp of a warm body entering a chilly sea.
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the truth is that it's far easier to make a bomb than to educate four hundred million people.
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