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Margaret Kochamma's tiny, ordered life relinquished itself to this truly baroque bedlam with the quiet gasp of a warm body entering a chilly sea.

Arundhati Roy

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Arundhati Roy
Age: 63
Born: 1961
Born: September 24
Author
Essayist
Novelist
Screenwriter
Writer
Suzanna Arundhati Roy
Truly
Baroque
Body
Margaret
Life
Ordered
Entering
Tiny
Bedlam
Warm
Relinquished
Sea
Gasp
Quiet
Chilly

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The secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably... in the Great Stories you know who lives, who dies, who finds love, who doesn't. And yet you want to know again.
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When she looked at him now, she couldn't help thinking that the man he had become bore so little resemblance to the boy he had been. His smile was the only piece of baggage he had carried with him from boyhood into manhood.
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If we were to lose the ability to be emotional, if we were to lose the ability to be angry, to be outraged, we would be robots. And I refuse that.
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We need a new kind of politics. Not the politics of governance, but the politics of resistance. The politics of opposition. The politics of joining hands across the world and preventing certain destruction.
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Terrorism is the symptom, not the disease.
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I stand by what I write and follow through on what I write.
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Ammu loved her children (of course), but their wide-eyed vulnerability and their willingness to love people who didn't really love them exasperated her and sometimes made her want to hurt them-- just as an education, a precaution.
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As she watched him she understood the quality of his beauty. How his labor had shaped him. How the wood he fashioned had fashioned him. Each plank he planed, each nail he drove, each thing he made molded him. Had left its stamp on him. Had given him his strength, his supple grace.
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I'm not somebody who plans my life. In fact, I don't know what's going to happen here in India, it's such a strange climate here at the moment. So very worrying.
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The crisis of modern democracy is a profound one. Free elections, a free press and an independent judiciary mean little when the free market has reduced them to commodities available on sale to the highest bidder.
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Today, the Indian government is trying to present privatization as the alternative to the state, to public enterprise. But privatization is only a further evolution of the centralized state, where the state says that they have the right to give the entire power production in Maharashtra to Enron.
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Capitalism’s real “grave-diggers” may end up being its own delusional Cardinals, who have turned ideology into faith. Despite their strategic brilliance, they seem to have trouble grasping a simple fact: Capitalism is destroying the planet. The two old tricks that dug it out of past crises-War and Shopping-simply will not work.
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In a way, writing is an incredible act of individualism, producing your language, and yet to use it from the heart of a crowd as opposed to as an individual performance is a conflicting thing. I do stand alone, and yet it's not about being an individual or being ambitious.
Arundhati Roy
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The world's 'freeest' country has the highest number in prison.
Arundhati Roy
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… he remained restrained and strangely composed. It was a composure born of extreme provocation. It stemmed from a lucidity that lies beyond rage.
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There's really no such thing as the 'voiceless'. There are only the deliberately silenced, or the preferably unheard.
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The only thing worth globalizing is dissent.
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Pity the nation that has to silence its writers for speaking their minds. Pity the nation that needs to jail those who ask for justice, while communal killers, mass murderers, corporate scamsters, looters, rapists, and those who prey on the poorest of the poor, roam free.
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It was a grand old house, the Ayemenem House, but aloof-looking. As though it had little to do with the people who lived in it. Like an old man with rheumy eyes watching children play, seeing only transience in their shrill elation and their whole-hearted commitment to life.
Arundhati Roy
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From being a dream, dams have become a very cynical corrupt enterprise a way of letting governments lay their hands on huge sums of money a way of centralizing resources a way of snatching rivers away from the poor and giving them to the rich. And so in a sense they've become monuments to corruption.
Arundhati Roy