Perhaps why so much of today's photography doesn't grab us or mean anything to our personal lives is that it fails to touch upon the hidden life of the imagination and fantasy, which is hungry for stimulation.

The photographic frame is no longer used as a documentary window into undisturbed private lives, but as a stage on which the subjects consciously direct themselves to bring forward hidden information that is not normally displayed on the surface.

The photographic image has great possibilities. The magical photograph attempts to go beyond the immediate context of the recorded experience into the realm of the indefinable. The photographer as magician is acutely aware of the multiplicity of associations submerged in the appearance of the objective world.

Photography is my method for defining the confusing world that rushes constantly toward me. It is my defensive attempt to reduce our daily chaos to a set of understandable images.