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[T]he appropriate form of address between man and man ought to be, not monsieur, sir, but fellow sufferer, compagnon de miseres.

Arthur Schopenhauer

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Arthur Schopenhauer
Age: 72 †
Born: 1788
Born: February 22
Died: 1860
Died: September 21
Musicologist
Philosopher
Translator
University Teacher
Writer
Danzig
Ought
Monsieur
Form
Sufferer
Men
Sufferers
Address
Addresses
Appropriate
Fellow
Fellows

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To free a man from error is to give, not to take away. Knowledge that a thing is false is a truth. Error always does harm sooner or later it will bring mischief to the man who harbors it.
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Patriotism, when it wants to make itself felt in the domain of learning, is a dirty fellow who should be thrown out of doors.
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Whoever heard me assert that the grey cat playing just now in the yard is the same one that did jumps and tricks there five hundred years ago will think whatever he likes of me, but it is a stranger form of madness to imagine that the present-day cat is fundamentally an entirely different one.
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Life is a business that does not cover the costs.
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Boredom is just the reverse side of fascination.
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If children were brought into the world by an act of pure reason alone, would the human race continue to exist? Would not a man rather have so much sympathy with the coming generation as to spare it the burden of existence, or at any rate not take it upon himself to impose that burden upon it in cold blood?
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There are, first of all, two kinds of authors: those who write for the subject's sake, and those who write for writing's sake. The first kind have had thoughts or experiences which seem to them worth communicating, while the second kind need money and consequently write for money.
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Friends and acquaintances are the surest passport to fortune.
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...a genuine work of art, can never be false, nor can it be discredited through the lapse of time, for it does not present an opinion but the thing itself.
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To conceal a want of real ideas, many make for themselves an imposing apparatus of long compound words, intricate flourishes and phrases, new and unheard-of expressions, all of which together furnish an extremely difficult jargon that sounds very learned. Yet with all this they say-precisely nothing.
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Nothing in life gives a man so much courage as the attainment or renewal of the conviction that other people regard him with favor because it means that everyone joins to give him help and protection, which is an infinitely stronger bulwark against the ills of life than anything he can do himself.
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It is difficult to keep quiet if you have nothing to do
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I have long held the opinion that the amount of noise that anyone can bear undisturbed stands in inverse proportion to his mental capacity and therefore be regarded as a pretty fair measure of it.
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With people of limited ability modesty is merely honesty. But with those who possess great talent it is hypocrisy.
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What a man is: that is to say, personality, in the widest sense of the word under which are included health, strength, beauty, temperament, moral character, intelligence, and education.
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How entirely does the Upanishad breathe throughout the holy spirit of the Vedas! How is every one who by a diligent study of its Persian Latin has become familiar with that incomparable book stirred by that spirit to the very depth of his Soul !
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Ist es an und fu? r sich absurd, das Nichtsein fu? r einUbel zu ? halten da jedes Ubel wie jedes Gut das Dasein zur Voraussetzung hat, ja sogar das Bewusstsein. It is in and by itself absurd to regard non-existence as an evil for every evil, like every good, presupposes existence, indeed even consciousness.
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Poverty and slavery are thus only two forms ofthe same thing, the essence of which is that a man's energies are expended for the most part not on his own behalf but on that of others.
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What give all that is tragic, whatever its form, the characteristic of the sublime, is the first inkling of the knowledge that the world and life can give no satisfaction, and are not worth our investment in them. The tragic spirit consists in this. Accordingly it leads to resignation.
Arthur Schopenhauer
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There are, first of all, two kinds of authors: those who write for the subject's sake, and those who write for writing's sake. ... The truth is that when an author begins to write for the sake of covering paper, he is cheating the reader because he writes under the pretext that he has something to say.
Arthur Schopenhauer