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I went to Communism as one goes to a spring of fresh water, and I left Communism as one clambers out of a poisoned river strewn with the wreckage of flooded cities and the corpses of the drowned.

Arthur Koestler

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Arthur Koestler
Age: 77 †
Born: 1905
Born: September 5
Died: 1983
Died: March 1
Author
Autobiographer
Journalist
Novelist
Philosopher
Screenwriter
Writer
Buda Pest
Kösztler Artúr
Fresh
Strewn
Rivers
Flooded
Spring
Wreckage
Cities
Poisoned
Goes
Drowned
Went
Corpses
Water
Communism
Left
River

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Wherever we find orderly, stable systems in Nature, we find that they are hierarchically structured, for the simple reason that without such structuring of complex systems into sub-assemblies, there could be no order and stability- except the order of a dead universe filled with a uniformly distributed gas.
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one of the tests of a theory is that, once grasped, it appears self-evident.
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Among all forms of mentation, verbal thinking is the most articulate, the most complex, and the most vulnerable to infectious diseases. It is liable to absorb whispered suggestions, and to incorporate them as hidden persuaders into the code.
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the self-assertive tendency is the dynamic expression of the holon's wholeness, the integrative tendency, the dynamic expression of its partness.
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The most persistent sound which reverberates through man's history is the beating of war drums.
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The discoveries of yesterday are the truisms of tomorrow, because we can add to our knowledge but cannot subtract from it.
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Indeed, the ideal for a well-functioning democratic state is like the ideal for a gentleman's well-cut suit it is not noticed. For the common people of Britain, Gestapo and concentration camps have approximately the same degree of reality as the monster of Loch Ness. Atrocity propaganda is helpless against this healthy lack of imagination.
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A publisher who writes is like a cow in a milk bar.
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The thing represented had to pass through two distorting lenses: the artist's mind, and his medium of expression, before it emerged as a man-made dream - the two, of course, being intimately connected and interacting with each other.
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Without the hard little bits of marble which are called 'facts' or 'data' one cannot compose a mosaic what matters, however, are not so much the individual bits, but the successive patterns into which you arrange them, then break them up and rearrange them.
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The creativity and pathology of the human mind are, after all, two sides of the same medal coined in the evolutionary mint. The first is responsible for the splendour of our cathedrals, the second for the gargoyles that decorate them to remind us that the world is full of monsters, devils, and succubi.
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Wars are not fought for territory, but for words. Man's deadliest weapon is language. He is as susceptible to being hypnotized by slogans as he is to infectious diseases. And where there is an epidemic, the group-mind takes over.
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There is an abundance of ancient place names in the Ukraine and Poland, which derive from 'Khazar' or 'Zhid' (Jew).
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Every creative act – in science, art, or religion – involves a regression to a more primitive level, a new innocence of perception liberated from the cataract of accepted beliefs.
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The inner defenses are unconscious. They consist of a kind of magic aura which the mind builds around cherished belief. Arguments which penetrate into the magic aura are not dealt with rationally but by a specific type of pseudo-reasoning. Absurdities and contradictions are made acceptable by specious rationalizations.
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When a person identifies himself with a group his critical faculties are diminished and his passions enhanced by a kind of emotive resonance. The individual is not a killer, the group is, and by identifying with it, the individual becomes one. This is the infernal dialect reflected in man's history.
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The Revolutionary's Utopia, which in appearance represents a complete break with the past, is always modeled on some image of the Lost Paradise, of a legendary Golden Age... All utopias are fed from the source of mythology the social engineers' blueprints are merely revised editions of the ancient text.
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History knows no scruples and no hesitation. Inert and unnering flows towards her goal. History knows herway. She makes no mistakes.
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Somebody once asked Niels Bohr why he had a horseshoe hanging above the front door of his house. Surely you, a world famous physicist, can't really believe that hanging a horseshoe above your door brings you luck? Of course not, Bohr replied, but I have been reliably informed that it will bring me luck whether I believe in it or not.
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Innovation is a twofold threat to academic mediocrities: it endangers their oracular authority, and it evokes the deeper fear that their whole, laboriously constructed intellectual edifice might collapse.
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