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The artist likes to seem totally responsible for his work. Often he begins to explain it, to make it appear as if it were a reasonable process.

Arthur Erickson

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Arthur Erickson
Age: 84 †
Born: 1924
Born: June 14
Died: 2009
Died: May 20
Architect
University Teacher
Vancouver
British Columbia
Arthur Charles Erickson
Arthur C. Erickson
Seem
Process
Reasonable
Often
Appear
Artist
Explain
Seems
Begins
Work
Likes
Make
Totally
Responsible

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Space has always been the spiritual dimension of architecture. It is not the physical statement of the structure so much as what it contains that moves us.
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We find Japan a little more difficult to understand because it has proven its 20th century prowess though the ancient traditions still persist.
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Does an architecture to assuage the spirit have a place in all this? Unfortunately we are no longer the interpreters of our culture's myths but the followers of that dubious client, the developer, who has little patience with the art of architecture, the fine detail and obscure promise, which can upset his financial activity.
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We are stymied by regulations, limited choice and the threat of litigation. Neither consultants nor industry itself provide research which takes architecture forward.
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The innovative spirit was America's strongest attribute, transforming everything into a brave new world, but there lingered an insecurity about the arts.
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Nearly all of the advances in structural and aesthetic innovation is coming from abroad.
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Our universities advocate fragmentation in their course systems.
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We are yet to have a conscience at all about the exploitation of human cultures.
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We regard those other cultures such as that of India, where many people live and believe and behave much as they did 1000 or 2000 years ago - as undeveloped.
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Life is rich, always changing, always challenging, and we architects have the task of transmitting into wood, concrete, glass and steel, of transforming human aspirations into habitable and meaningful space.
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We are guilty for sending teams into foreign countries to advise them how to be like us.
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This great, though disastrous, culture can only change as we begin to stand off and see... the inveterate materialism which has become the model for cultures around the world.
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The obsession with performance left no room for the development of the intuitive or spiritual impact of space and form other than the aesthetic of the machine itself.
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Modernism released us from the constraints of everything that had gone before with a euphoric sense of freedom.
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Materialism has never been so ominous as now in North America, as management takes over.
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God's designs may be frequent justification for our actions, but it is we, the self-made men, who take the credit.
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The delusion of entertainment is devoid of meaning. It may amuse us for a bit, but after the initial hit we are left with the dark feeling of desolation.
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Illusion is needed to disguise the emptiness within.
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With production alone as the goal, industry in North America was dominated by the assembly line, standardization for mass consumption.
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No amount of thought can ever reveal what comes unexpectedly.
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