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The obsession with performance left no room for the development of the intuitive or spiritual impact of space and form other than the aesthetic of the machine itself.

Arthur Erickson

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Arthur Erickson
Age: 84 †
Born: 1924
Born: June 14
Died: 2009
Died: May 20
Architect
University Teacher
Vancouver
British Columbia
Arthur Charles Erickson
Arthur C. Erickson
Impact
Development
Intuitive
Room
Aesthetic
Rooms
Obsession
Space
Machine
Spiritual
Performance
Left
Performances
Form
Machines

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Life is rich, always changing, always challenging, and we architects have the task of transmitting into wood, concrete, glass and steel, of transforming human aspirations into habitable and meaningful space.
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We are stymied by regulations, limited choice and the threat of litigation. Neither consultants nor industry itself provide research which takes architecture forward.
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No phenomenon can be isolated, but has repercussions through every aspect of our lives. We are learning that we are a fundamental part of nature's ecosystems.
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There is a single thread of attitude, a single direction of flow, that joins our present time to it's early burgeoning in Mediterranean civilization...
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Our settlement of land is without regard to the best use of land.
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No amount of thought can ever reveal what comes unexpectedly.
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This great, though disastrous, culture can only change as we begin to stand off and see... the inveterate materialism which has become the model for cultures around the world.
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I plead for conservation of human culture, which is much more fragile than nature herself. We needn't destroy other cultures with the force of our own.
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No wonder the film industry started in the desert in California where, like all desert dwellers, they dream their buildings, rather than design them.
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Our universities advocate fragmentation in their course systems.
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Nearly all of the advances in structural and aesthetic innovation is coming from abroad.
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Illusion is needed to disguise the emptiness within.
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Does an architecture to assuage the spirit have a place in all this? Unfortunately we are no longer the interpreters of our culture's myths but the followers of that dubious client, the developer, who has little patience with the art of architecture, the fine detail and obscure promise, which can upset his financial activity.
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We are yet to have a conscience at all about the exploitation of human cultures.
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We find Japan a little more difficult to understand because it has proven its 20th century prowess though the ancient traditions still persist.
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We regard those other cultures such as that of India, where many people live and believe and behave much as they did 1000 or 2000 years ago - as undeveloped.
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We are guilty for sending teams into foreign countries to advise them how to be like us.
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We are not peddlers of the fashionable. We believe that good design defies fashion, is truly innovative, eminently sensible, yet a source of inspiration to those who have the pleasure of living with it.
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Great buildings that move the spirit have always been rare. In every case they are unique, poetic, products of the heart.
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Whenever we witness art in a building, we are aware of an energy contained by it.
Arthur Erickson