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The obsession with performance left no room for the development of the intuitive or spiritual impact of space and form other than the aesthetic of the machine itself.

Arthur Erickson

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Arthur Erickson
Age: 84 †
Born: 1924
Born: June 14
Died: 2009
Died: May 20
Architect
University Teacher
Vancouver
British Columbia
Arthur Charles Erickson
Arthur C. Erickson
Form
Machines
Impact
Development
Intuitive
Room
Aesthetic
Rooms
Obsession
Space
Machine
Spiritual
Performance
Left
Performances

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Illusion is needed to disguise the emptiness within.
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We regard those other cultures such as that of India, where many people live and believe and behave much as they did 1000 or 2000 years ago - as undeveloped.
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We are not peddlers of the fashionable. We believe that good design defies fashion, is truly innovative, eminently sensible, yet a source of inspiration to those who have the pleasure of living with it.
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With production alone as the goal, industry in North America was dominated by the assembly line, standardization for mass consumption.
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The innovative spirit was America's strongest attribute, transforming everything into a brave new world, but there lingered an insecurity about the arts.
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No amount of thought can ever reveal what comes unexpectedly.
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Modernism released us from the constraints of everything that had gone before with a euphoric sense of freedom.
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Profit and bottom line, the contemporary mantra, eliminates the very source of architectural expression.
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Materialism has never been so ominous as now in North America, as management takes over.
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We are stymied by regulations, limited choice and the threat of litigation. Neither consultants nor industry itself provide research which takes architecture forward.
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The way of architecture is the quiet voice that underlies it and has guided it from the beginning.
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The artist likes to seem totally responsible for his work. Often he begins to explain it, to make it appear as if it were a reasonable process.
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We can appreciate but not really understand the medieval town. We cannot comprehend its compactness, the contiguity of all its buildings as a single uninterrupted whole.
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God's designs may be frequent justification for our actions, but it is we, the self-made men, who take the credit.
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We have today a fairly thorough knowledge of the early Greco-Roman period because our motivations are the same.
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The delusion of entertainment is devoid of meaning. It may amuse us for a bit, but after the initial hit we are left with the dark feeling of desolation.
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We are yet to have a conscience at all about the exploitation of human cultures.
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We are guilty for sending teams into foreign countries to advise them how to be like us.
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Nearly all of the advances in structural and aesthetic innovation is coming from abroad.
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No wonder the film industry started in the desert in California where, like all desert dwellers, they dream their buildings, rather than design them.
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