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We have today a fairly thorough knowledge of the early Greco-Roman period because our motivations are the same.

Arthur Erickson

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Arthur Erickson
Age: 84 †
Born: 1924
Born: June 14
Died: 2009
Died: May 20
Architect
University Teacher
Vancouver
British Columbia
Arthur Charles Erickson
Arthur C. Erickson
Period
Motivation
Periods
Early
Greco
Knowledge
Motivations
Today
Thorough
Roman
Fairly

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Modernism released us from the constraints of everything that had gone before with a euphoric sense of freedom.
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The delusion of entertainment is devoid of meaning. It may amuse us for a bit, but after the initial hit we are left with the dark feeling of desolation.
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Western history has been a history of deed done, actions performed and results achieved.
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I plead for conservation of human culture, which is much more fragile than nature herself. We needn't destroy other cultures with the force of our own.
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We are stymied by regulations, limited choice and the threat of litigation. Neither consultants nor industry itself provide research which takes architecture forward.
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The way of architecture is the quiet voice that underlies it and has guided it from the beginning.
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We can appreciate but not really understand the medieval town. We cannot comprehend its compactness, the contiguity of all its buildings as a single uninterrupted whole.
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The obsession with performance left no room for the development of the intuitive or spiritual impact of space and form other than the aesthetic of the machine itself.
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Space has always been the spiritual dimension of architecture. It is not the physical statement of the structure so much as what it contains that moves us.
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The innovative spirit was America's strongest attribute, transforming everything into a brave new world, but there lingered an insecurity about the arts.
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With production alone as the goal, industry in North America was dominated by the assembly line, standardization for mass consumption.
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God's designs may be frequent justification for our actions, but it is we, the self-made men, who take the credit.
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We find Japan a little more difficult to understand because it has proven its 20th century prowess though the ancient traditions still persist.
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Life is rich, always changing, always challenging, and we architects have the task of transmitting into wood, concrete, glass and steel, of transforming human aspirations into habitable and meaningful space.
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The artist likes to seem totally responsible for his work. Often he begins to explain it, to make it appear as if it were a reasonable process.
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Profit and bottom line, the contemporary mantra, eliminates the very source of architectural expression.
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Does an architecture to assuage the spirit have a place in all this? Unfortunately we are no longer the interpreters of our culture's myths but the followers of that dubious client, the developer, who has little patience with the art of architecture, the fine detail and obscure promise, which can upset his financial activity.
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Great buildings that move the spirit have always been rare. In every case they are unique, poetic, products of the heart.
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No wonder the film industry started in the desert in California where, like all desert dwellers, they dream their buildings, rather than design them.
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Whenever we witness art in a building, we are aware of an energy contained by it.
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