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We find Japan a little more difficult to understand because it has proven its 20th century prowess though the ancient traditions still persist.
Arthur Erickson
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Arthur Erickson
Age: 84 †
Born: 1924
Born: June 14
Died: 2009
Died: May 20
Architect
University Teacher
Vancouver
British Columbia
Arthur Charles Erickson
Arthur C. Erickson
Little
Though
Prowess
Understand
Traditions
Difficult
Persist
Artist
Proven
Stills
Japan
Still
Ancient
Littles
Tradition
Find
Century
More quotes by Arthur Erickson
We regard those other cultures such as that of India, where many people live and believe and behave much as they did 1000 or 2000 years ago - as undeveloped.
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The delusion of entertainment is devoid of meaning. It may amuse us for a bit, but after the initial hit we are left with the dark feeling of desolation.
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The artist likes to seem totally responsible for his work. Often he begins to explain it, to make it appear as if it were a reasonable process.
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The obsession with performance left no room for the development of the intuitive or spiritual impact of space and form other than the aesthetic of the machine itself.
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Illusion is needed to disguise the emptiness within.
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This great, though disastrous, culture can only change as we begin to stand off and see... the inveterate materialism which has become the model for cultures around the world.
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No phenomenon can be isolated, but has repercussions through every aspect of our lives. We are learning that we are a fundamental part of nature's ecosystems.
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We are yet to have a conscience at all about the exploitation of human cultures.
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We are not peddlers of the fashionable. We believe that good design defies fashion, is truly innovative, eminently sensible, yet a source of inspiration to those who have the pleasure of living with it.
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No wonder the film industry started in the desert in California where, like all desert dwellers, they dream their buildings, rather than design them.
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Our universities advocate fragmentation in their course systems.
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Modernism released us from the constraints of everything that had gone before with a euphoric sense of freedom.
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We can appreciate but not really understand the medieval town. We cannot comprehend its compactness, the contiguity of all its buildings as a single uninterrupted whole.
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Western history has been a history of deed done, actions performed and results achieved.
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Great buildings that move the spirit have always been rare. In every case they are unique, poetic, products of the heart.
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I plead for conservation of human culture, which is much more fragile than nature herself. We needn't destroy other cultures with the force of our own.
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We have today a fairly thorough knowledge of the early Greco-Roman period because our motivations are the same.
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Nearly all of the advances in structural and aesthetic innovation is coming from abroad.
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No amount of thought can ever reveal what comes unexpectedly.
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Life is rich, always changing, always challenging, and we architects have the task of transmitting into wood, concrete, glass and steel, of transforming human aspirations into habitable and meaningful space.
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