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No wonder the film industry started in the desert in California where, like all desert dwellers, they dream their buildings, rather than design them.

Arthur Erickson

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Arthur Erickson
Age: 84 †
Born: 1924
Born: June 14
Died: 2009
Died: May 20
Architect
University Teacher
Vancouver
British Columbia
Arthur Charles Erickson
Arthur C. Erickson
Started
Wonder
Dwellers
Rather
Buildings
Artist
Desert
Film
California
Dream
Design
Like
Industry
Building

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God's designs may be frequent justification for our actions, but it is we, the self-made men, who take the credit.
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We are stymied by regulations, limited choice and the threat of litigation. Neither consultants nor industry itself provide research which takes architecture forward.
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Our universities advocate fragmentation in their course systems.
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This great, though disastrous, culture can only change as we begin to stand off and see... the inveterate materialism which has become the model for cultures around the world.
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Whenever we witness art in a building, we are aware of an energy contained by it.
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Illusion is needed to disguise the emptiness within.
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We are guilty for sending teams into foreign countries to advise them how to be like us.
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Space has always been the spiritual dimension of architecture. It is not the physical statement of the structure so much as what it contains that moves us.
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The way of architecture is the quiet voice that underlies it and has guided it from the beginning.
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Rationalism is the enemy of art, though necessary as a basis for architecture.
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You have to see a building to comprehend it. Photographs cannot convey the experience, nor film.
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The innovative spirit was America's strongest attribute, transforming everything into a brave new world, but there lingered an insecurity about the arts.
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Nearly all of the advances in structural and aesthetic innovation is coming from abroad.
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We regard those other cultures such as that of India, where many people live and believe and behave much as they did 1000 or 2000 years ago - as undeveloped.
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Life is rich, always changing, always challenging, and we architects have the task of transmitting into wood, concrete, glass and steel, of transforming human aspirations into habitable and meaningful space.
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Great buildings that move the spirit have always been rare. In every case they are unique, poetic, products of the heart.
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Modernism released us from the constraints of everything that had gone before with a euphoric sense of freedom.
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We can appreciate but not really understand the medieval town. We cannot comprehend its compactness, the contiguity of all its buildings as a single uninterrupted whole.
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We are not peddlers of the fashionable. We believe that good design defies fashion, is truly innovative, eminently sensible, yet a source of inspiration to those who have the pleasure of living with it.
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Materialism has never been so ominous as now in North America, as management takes over.
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